故事接着《C 侦探》展开。阿探（郭富城 饰）的破案能力得到了充分证明，亚洲好友风泽（廖启智 饰）也倍感风光，亚洲但风泽却在警局内仍不得志，被调到以争功闻名的卢长官（谭耀文 饰）手下。风泽调任不久，辖区内便发生连环凶案，先后四名死者互无关联，且凶手同样在现场留下了颇为刻意的线索。阿探协助风泽，在卢长官的白眼下提出了凶手的多种可能，最后初步锁定凶手为一名精神分裂症患者。在排查期间，嫌疑犯梁伟业（张兆辉 饰）病发劫持人质，阿探施计将其擒获，但遗憾的发现梁并非真凶。不久，阿探被卢警官的手下恐吓，而风泽又被人撞伤，怒不可遏的阿探找到卢警官，却被告知这个嫌疑犯的攻击性超出他的想象……
郑在亨
回复 :草薙素子之后，巴特与侦探出身的陀古萨结为搭档。近期发生多起机器人偶杀害主人继而自杀的事件，由于受害者家属均无公诉，且死者中有政客与公安官员，于是公安9课派出巴特小组调查此案。杀人人偶皆为荒凉地带公司出品的哈德莉机型，应部分顾客要求，该机型同时具备异性玩伴的功能，巴特从荒凉地带公司出货官遇害入手，卷入与黑帮的战斗，期间有人入侵他的大脑，使其自残。巴特决定直奔荒凉地带总部，他与陀古萨拜访了择捉岛上的黑客基姆，后者布下系统陷阱，幸有素子提出警告避免陀古萨陷入控制。依靠基姆这条线索，巴特登上了荒凉地带公司设立在海上的工厂船，素子再次降临他的身边，与其并肩作战。
回复 :同志紀錄片大師托默賀曼Tomer Heymann跟拍當紅G片明星及伴遊Jonathan Agassi八年力作!即使因為國籍、宗教的關係而被認為是禁忌的工作,Jonathan仍成功地建立名聲,而且還擁有全球數百萬的粉絲。本片將一窺G片以及伴遊世界,甚至是G片明星與母子之間的獨特關係,同時也觸及G片明星尋求愛情和人生意義。
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
