办桌二人组
发表于4分钟前回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
王海鹭
发表于6分钟前回复 :《玩命追逐》讲述了某电视鉴宝栏目古野教授将一枚价值不菲的古钱币鉴定为赝品, 古野手下杨伟将古钱币从鉴宝者手中骗回来后,到酒吧消费时无意中丢失了古钱币,古野极其愤怒,让杨伟到陕西将刚收到的兵马俑偷运回来,将功补过。杨伟无奈和一个死党、一个酒吧卖酒女,三人假扮医生和护士,将一辆破金杯车改装成救护车上路了。一路上,他们三人和真假警察机缘巧合地相遇在一起,为了兵马俑,他们互相追逐,斗智斗勇,演绎了一个个令人啼笑皆非的故事。你见过在车上贴上“120”就当作是救护车,穿上白大褂就是医生的逗比三人组吗?你见过安个警灯,贴上“警察”标签,穿上冒牌警服就开着冒牌警车上路的“二傻”组合吗?《玩命追逐》带你一起看两个组合鸡飞狗跳,啼笑皆非的追逐之旅。《玩命追逐》虽然是一部公路喜剧电影,但悬疑元素众多。一个动作,一个镜头,也许就是一个线索。夜半时分,忽然而至的疼痛让人无法呼吸,是谁在暗中下此毒手?半路抢到的兵马俑,为何突然变成一具冰冷的尸体?是被人暗中调换还是始终就是一场阴谋?两队人马,一个兵马俑,幕后主使是何用意?