剧情简介
壹号粤语A scientist develops a youth formula for a cosmetics queen from jelly taken from queen wasps, failing to anticipate the typical horrible side effects.
壹号皇庭粤语第二部
壹号粤语A scientist develops a youth formula for a cosmetics queen from jelly taken from queen wasps, failing to anticipate the typical horrible side effects.
回复 :The occupants of a van transporting a wounded excursionist have to avoid sitting next to her during the trip.
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
回复 :他在出生当晚被十字军偷走，对自己的血统一无所知：他的母亲是一个恶魔；他的父亲是个吸血鬼。在神秘僧侣兄弟会的训练和利用下，他杀死了教会的所有敌人。一天晚上，命运将他带回了父亲的城堡，带着杀死怪物的莱尔特斯之剑，摧毁了吸血鬼弗拉迪斯拉斯，并夺回了一件圣物：血石。那天晚上发生的事情把拉杜从一个贵族变成了一个没有主人的吸血鬼，让他开始了长达数百年的寻找食物和陪伴的旅程，寻找那个从太阳下偷走他的奸诈之人，寻找他希望能给他带来和平的血石。这部备受期待的《亚种》系列前传跨越了吸血鬼拉杜·弗拉迪斯拉斯500年的一生，记录了拉杜从一名教会的贵族战士到一个堕落的夜晚生物的故事。