凶神恶煞的“火枪哥”庄三强带着小弟刘仁上门讨债,视频却误闯凶杀现场,视频两人在自证清白的途中又接二连三地发生了凶险诡异的追击;农家乐女老板厉小美自认为能把控一切,却意外发现平时本分老实的丈夫郝帅不仅私藏巨款,还涉嫌杀人,让自己身处险境;在女友晓倩消失的当天,一事无成的化妆师贾亦枫便被朋友郝帅逼入绝地,命悬一线在命运的交织碰撞下,几个人原本平静的生活被掀了个底朝天,一时间人人自危,无路可逃……
凶神恶煞的“火枪哥”庄三强带着小弟刘仁上门讨债,视频却误闯凶杀现场,视频两人在自证清白的途中又接二连三地发生了凶险诡异的追击;农家乐女老板厉小美自认为能把控一切,却意外发现平时本分老实的丈夫郝帅不仅私藏巨款,还涉嫌杀人,让自己身处险境;在女友晓倩消失的当天,一事无成的化妆师贾亦枫便被朋友郝帅逼入绝地,命悬一线在命运的交织碰撞下,几个人原本平静的生活被掀了个底朝天,一时间人人自危,无路可逃……
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
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回复 :患有癌症晚期的诗人亚历山大(Bruno Ganz)在进医院等待死亡的前一天,想将一直陪伴其左右的狗交托自己的亲生女儿,遭到对方拒绝。女儿对自己处境的不了解,以及女婿打算将自己的祖屋卖掉,令亚历山大神伤不已黯然离开。在亚历山大孤独地面对自己生命的最后一天时,太太安娜在世时的诸多生活片段、探望独自生活在疗养院中的年迈衰弱母亲的情形、花费大半生心血研究的19世纪诗人所罗穆斯等,一一以或真实或梦幻的形态与他会面,来助他解除对“明天会持续多久”的困惑。