1966年，激情大西洋北海上漂浮着的一艘船，激情是深受不列颠听众喜爱的摇滚电台的大本营。因吸毒而退学的 Carl（汤姆·斯图里奇 Tom Sturridge 饰）被母亲 Charlotte（艾玛·汤普森 Emma Thompson 饰）送到这里，认识了 Quentin（比尔·奈伊 Bill Nighy 饰）、The Count（菲利普·塞默·霍夫曼 Philip Seymour Hoffman 饰）、Dave（尼克·弗罗斯特 Nick Frost 饰）等热爱音乐崇尚自由的人。另一方面，政府高官 Sir Alistair Dormandy（肯尼思·布拉纳 Kenneth Branagh 饰）决定设法取缔非法电台。随着政府向电台的赞助商施压，电台的收入持续降低。此时，出国两年现已享有国际盛誉的 Gavin（瑞斯·伊凡斯 Rhys Ifans 饰）决定海归，解决了电台的难题。可是，因为 Gavin 的回归，电台内部出现了一些新的问题……
徐哲纬
回复 :Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
回复 :被帕塔克（苏尚特·辛格·拉吉普特 饰）寄予厚望的儿子拉加夫高考失利，因无法忍受“失败者”的标签而发生意外。面对病床前丧失信心的儿子，帕塔克讲述了大学时代，自己与朋友们以及前妻玛雅（施拉达·卡普尔 饰），为了完成“失败者”的逆袭，在冠军联赛中“损招”尽出的故事。一段啼笑皆非的青春往事揭开帷幕，他们会实现最初的梦想吗？
史帝文斯
回复 :阿涵是一个潜伏在黑帮内部的卧底警察，秦爽是敌对黑帮老大的千金。阿涵为救边检高官的女儿，不得不将其绑架，却阴差阳错将秦爽绑了来。两人争吵不断又相互敌对，可日久生情，在相处中看到了对方的善良和可爱。接连的偶然事件发生，秦爽终于知道了阿涵的身份。阿涵将秦爽放走后，秦爽竟主动回来，要求阿涵继续绑架自己。此时的阿涵正值拿到黑帮贩毒证据的关键时机，秦爽的死缠烂打打乱了阿涵的计划，阿涵被秦爽折磨得几乎疯掉……
