家族荣耀国语
地区:日本
  类型:法国
  时间:2025-07-16 02:10:31
剧情简介

影片聚焦一个处于崩溃边缘的男人度过疯狂的一天,家族他的女儿给予他无条件的爱,家族帮助他平复心态。巴登和海耶克饰演青梅竹马的恋人/夫妻,范宁饰演他们的女儿。

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明星主演
王强
深紫乐队
陈见飞
最新评论(268+)

罗时丰

发表于5分钟前

回复 :一场意外让中国女孩莲花(黄柳霜 饰)结识了美国人艾伦(肯尼斯·哈兰 Kenneth Harlan 饰),艾伦刚刚从一场可怕的海难中死里逃生,善良的莲花收留并且不离不弃的照顾着艾伦,随着时间的推移,两人渐渐走到了一起。莲花一心希望艾伦在痊愈之后能够对带她回美国,但是家庭的变故让艾伦无法顾及莲花,匆匆的回国了。艾伦走后,莲花才发现自己的腹中怀上了他的孩子,莲花决定不顾众人的反对和奚落,生下孩子独自抚养,在此过程中,莲花给艾伦写过无数封信,但都石沉大海。终于,艾伦再度出现在了莲花的眼前,可是和他一起出现的,还有艾伦的妻子。


卢伟莉

发表于8分钟前

回复 :失业在家的范国生(刘青云 饰)残忍地杀害了妻子(叶璇 饰),这件事震惊了全香港,而他随后被诊断为有精神疾病而逃脱了法律制裁。医学才俊周明杰(黄晓明 饰)主动承担为范国生的主治医生,极力帮助其治疗。三年后,周明杰力保范国生出院,重回社会,这遭到了医学界的一致反对,但是周却执意坚持。可是新的毒贩凶杀案又接踵而来,警方又再次把目标锁定为范国生,与此同时,周明杰的未婚妻宝儿(薛凯琪 饰)遭遇了死亡威胁,强大的压力让周明杰无法喘息。如何拯救爱人,拯救事业?真相到底是什么?精神病人究竟能否被治愈?新一轮的自我救赎悄然开始。


卓亚君

发表于9分钟前

回复 :Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.


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挑战星期天>我的左蛋蛋第一季>测试>为人父母第三季>狩火之王>第22条婚规>光荣隔离>六月灯的三姐妹>重生之龙腾四海>钱之所在>