马尼娅
发表于2分钟前回复 :杰克-卡特(迈克尔凯恩饰)一直以为人讨债、做代理为生。他能力超群,总是喜欢一人独居。但当他的兄弟在一桩“意外事件”中遇难后,他回到了那个被他遗弃的“卡特”家----去偿还那永远也还不清的“债”,解开那萦绕在他心灵中的兄弟遇害之谜。对于杰克来说,回到西雅图的家是一次弥补过失的机会。他联系上了他兄弟的妻子格洛里亚(米兰达-理查森饰)和她十多岁的女儿多琳(雷切尔-利-库克饰)。她们对他的这一举动很感疑惑。但当他发现兄弟的死整个是个谋杀时,他回来的目的很快从赎罪转向了复仇。杰克终于与多琳达成了和解,多琳也开始帮他,带他深入到城里的那些阴暗角落,到一个充满了欺骗性、到处漂溢着虚假的世界。卡特曾想向那些罪恶伸张正义,但是他越深入了解到事件的真相,越对自己的动机开始怀疑。他非但没有复仇,反而起了宽仁之心,直到最终又开始了赎罪。
贝西伯爵
发表于2分钟前回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
林昌奎
发表于5分钟前回复 :十九世纪末,泰国为了出口更多的大米开始大面积开垦农田,牛成为了最重要的劳动力,因此一个新的职业悄然兴起——牛仔。这些牛仔靠买卖牛赚取差价,暴利极大。但最近经常有个被称作火云盗的蒙面人打劫牛仔,此人武艺极为高强,他将抢来的牛都分给了贫苦的农民,因此火云盗在老百姓中有口皆碑,而牛仔们则无不谈虎色变。 贵族后裔西里贡从英国进口了土地开垦机,昂贵的价格令农民们望尘莫及。为了将机器卖出去牟取暴利,西里贡雇了一批人专门劫杀牛仔,然后将牛卖给屠宰场,这样农民们没有牛自然就会出钱购买开垦机。一时间牛仔们不仅要小心抢牛的火云盗,更要留意随时都可能会让自己丧命的西里贡,真是苦不堪言。 火云盗在一次准备打劫牛仔的过程中发现,西里贡那战无不胜的手下被一个名叫狮子的牛仔头领打败,而狮子胸前的纹身吸引了火云盗的注意。多年前一个有着同样纹身的牛仔杀死了火云盗的父母并抢走了牛,火云盗因此痛恨牛仔,才对他们实施打劫并将牛分给老百姓。多年来火云盗一直在寻找杀死父母的凶手,今天终于找到了。但狮子的武功在火云盗之上且精通法术,火云盗根本不是狮子的对手。就在此时,西里贡突然派手下找到火云盗,并称有人能够助他一臂之力。 火云盗跟随西里贡来到偏僻的乡下,在这里拜见了神秘的食人鬼。食人鬼称他因为被狮子所害多年来过着人不像人鬼不像鬼的日子,因为不能见阳光,他无法找狮子报仇。现在有了火云盗,食人鬼便可以将打败狮子的方法教给他:那就是用与狮子八字相克的女人的经血让狮子失去法力,而食人鬼的女儿阿丽正是合适的人选。于是火云盗留在食人鬼家等待找狮子报仇的时机,并在此过程中与阿丽产生了爱慕之情。但为了报仇火云盗必须暂时放下儿女私情,与阿丽依依惜别寻找狮子的下落。 果然当火云盗将经血涂在狮子身上后,他失去了所有的法术,此时西里贡和食人鬼也赶来帮助火云盗对付狮子。然而当狮子奄奄一息时,他说出的实情令火云盗十分懊恼:食人鬼本名阿黑,当年和狮子一起修炼法术。后狮子发现阿黑心术不正,就在阿黑杀死火云盗父母的那天,与阿黑决裂并给他使用了终身不得见阳光的法术后,狮子将昏迷的火云盗送到了庙里并留下了佛珠作为日后相认的信物。想到庙里的和尚留给自己的那串佛珠,火云盗知道自己被骗了。而食人鬼因掩饰不住自己的喜悦也说漏了嘴:阿丽并非他的女儿,而是他从小养大准备留给自己做老婆的。 带着新仇旧恨火云盗与食人鬼展开了殊死搏斗,狮子临终前将自己全部法术传给了火云盗以助他一臂之力。最终正义战胜了邪恶,火云盗为父母和救命恩人报仇后带着阿丽远走高飞,开始了新的生活。