87fuli宅男
地区:加拿大
  类型:ʱװ
  时间:2025-07-16 07:04:50
剧情简介

宅男Foodborne pathogens kill around 3,000 people in the U.S. every year and hospitalize hundreds of thousands more. Romaine lettuce, cantaloupe, sprouts . . . all have been at the center of outbreaks which have become alarmingly frequent in recent years. Their solutions are simple, but protections are scattershot, with little bureaucratic will to enforce them. And yet, our politicians keep saying that “the U.S. food supply is the safest in the world.Poisoned: The Dirty Truth About Your Food is a documentary that holds the public and private influences behind these decisions to account, beginning with the Jack In the Box E. Coli outbreak of 1992-1993 and continuing to the present day. Director Stephanie Soechtig provides tips on what to avoid at the supermarket, demystifies the tangle of regulations that govern what we eat, and tells the stories of families who have lost loved ones to foodborne illness. This is a film that will make you think about what’s on your plate and how it got there in eye-opening new ways.

5次播放
4219人已点赞
9人已收藏
明星主演
邓咏家
徐颢菲
曾心梅
最新评论(972+)

樱井敦司

发表于8分钟前

回复 :一群年轻人误闯一个神秘村庄,惨遭杀害,但其实……


莲儿与啷当六便士合唱团

发表于6分钟前

回复 :节目历经三季,本季继续聚焦长沙解放西繁华商圈的警察工作日常,展现繁华都市的守护者群像。第四季节目将迎来全新的守护者联盟,由新任所长带领新一批的“三高”民警,同交警组、水警法医组、特巡警组等,不分时段、不分地域、不分人群,全力维护着城市秩序,保护着每一个人,共同守护解放西的繁荣和安全。


大头佛

发表于9分钟前

回复 :Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.


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