米克（杰森·雷特 Jason Ritter 饰）和查理（杰西·艾森伯格 Jesse Eisenberg 饰）是曾在同一所高中就读的校友，摩天如今，摩天双双毕业的两人升上了同一所大学。在学校里，查理邂逅了名为玛丽（伊娃·阿穆里 Eva Amurri 饰）的女生，后者的美丽的温柔让查理很快就坠入了情网。然而，随着时间的推移，查理发现玛丽对桀骜不驯痞里痞气的米克似乎更感兴趣一些，不仅如此，查理的朋友们也接二连三的站在了米克的那一边。查理相信，这一切并非偶然，深藏不露的米克一定正在筹划一场复仇，而复仇的原因，来自于他们两人深深隐藏在心底的一个秘密。如果将这个秘密放置不管，所有的一切一定会慢慢发酵成为无法挽回的悲剧。
回复 :影片以1860年意大利的西西里岛为背景，通过萨里纳亲王这个中心人物的心路历程，反映出面对风起云涌崭新时代的到来，身处翻天覆地的社会变革的浩荡潮流当中，原有权贵和贵族因此而没落这一无奈而必然的命运。萨利纳亲王一家原本过着平静的生活。但随着局势的急剧变化，亲王的外甥唐克雷迪投奔正在西西里登陆的青年意大利党人加里波军队。返回故里，唐克雷迪对市长塞达拉的女儿安杰莉卡一见钟情，两人情投意合，不久便订婚了。塞达拉答应给女儿一份丰富的嫁妆，这样便挽救了萨利纳即将衰败的家族，而塞达拉也因能跟大贵族攀亲而沾沾自喜。此后，西西里岛进行了全民投票，结果一致赞成归并意大利。都灵派来了使者，邀请萨利纳作为名门贵族的代表，参加议会工作，但被萨利纳拒绝了。新政府没有给这个沉睡了两千多年的岛屿带来任何变化，特别是加里波在战败后，巴勒莫上流社会的生活又恢复了旧貌，贵族们频频举行舞会，庆幸劫后余生。
回复 :范志洪（万梓良 饰）曾是一位精明强干的警察，如今过着退休后的闲适生活。某日，他听闻前上司白朗的儿子保罗遭人绑架，性命危在旦夕，于是联手白朗的养子小杰（刘德华 饰）一同前往营救，并最终成功的救出了保罗。雪莉（姚炜 饰）和范志洪之前有过一段无疾而终的感情，巧合的是，小杰爱上 的名为辛迪（简慧真 饰）的女孩，正是雪莉的女儿。很快，范志洪便发现，这起绑架案并不是表面看上去的那么简单。白朗和日本黑道山下组有着千丝万缕的关联，而在营救行动中，范志洪失手杀死了两名日本人，使得三下组派出了高田进一（陈惠敏 饰）来到香港调查事件的真相。
回复 :They do not show war in this film, they show people and their dreams and hopes ruined by the war. It is not just another "war film", but it rises to the level of a true Tragedy. Not a propagandist or a sob story. Many critics compare this film to another famous Russian war drama, The Cranes Are Flying. I still think that The House I Live in is better, though, if you've seen The Cranes and liked it, most probably you'll love this one either. Both films were shot in 1957 and treat the war theme from the similar humane perspective. I wouldn't cut a single shot from the film, all of them are just in place. I do not know if it can be found outside Russia, if yes, don't miss it.Many critics pointed out resemblances between Dom, V Kotorom Ya Zhivu (The House I Live In) and the better-known Soviet film The Cranes are Flying. Set in the years prior to and during WWII, the story centers on the various residents of a co-op house. Though the directors never show the war itself, its tragic impact is felt throughout the film. And despite the potential for Soviet propaganda, what sticks in the mind is the universality of the experiences endured by the leading characters. Dom, V Kotorom Ya Zhivu was one of Russian's entries in the 1958 Brussels Film Festival.
