高清资源-亚洲一区-
地区:法国
  类型:喜剧
  时间:2025-07-18 03:20:23
剧情简介

高清

4次播放
9162人已点赞
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明星主演
梁铭芷
汪蕊
海生
最新评论(235+)

丁汀

发表于9分钟前

回复 :转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich


益西卓玛

发表于8分钟前

回复 :柯林·法瑞尔、布兰登·格里森再度合作,饰演一对爱尔兰伊尼舍林海滨小岛的好兄弟,却面临绝交危机,这回断的不只友情,还有手指!马丁·麦克唐纳再展拿手黑色讽刺喜剧,当友谊走到尽头的心碎和伤害推到极端,所产生的愤怒与报复,竟然比爱情还失控,时空背景与爱尔兰内战遥相对照,更显其恶趣味。


许志豪

发表于7分钟前

回复 :惩教署职员柳记雄(罗莽)因行为不检被上司革职,又欠下贵利数,被迫铤而走险,于是他学习狱中的菲律宾党及钱志明之迷药桥,出此下策支撑生计。小虹(翁虹)误中迷魂党招数,丈夫(徐锦江)所有积蓄全被提取,更惹起丈夫怀疑自己有否被歹徒施暴,导致一阵绿帽疑云。另一受害者女学生云(钱军)青春美丽,柳记雄手下更萌起歪念,将之迷奸,并向云父勒索。事情愈搞愈大,警方矢志将迷魂党缉拿归案,老差骨与新仔(陈国邦)皆全力以赴。


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