这是一部探讨女性性幻想心理的浪漫文艺爱情片。剧情讲述史蒂文.鲍尔饰演的史考特外表英俊潇洒,风流倜傥,却是一个极为重视享受生活的惯贼。他在一次行窃中窃得芭芭拉.威廉斯扮演的米姬的日记,于是他按照日记中描述的那样,以米姬梦中情人的打扮出现在米姬的世界里,成为一个既偷物又偷心的大盗。该片情节安排相当巧妙,在亮丽映象的包装下,让观众达到视听等感观上的极为满意的效果。
这是一部探讨女性性幻想心理的浪漫文艺爱情片。剧情讲述史蒂文.鲍尔饰演的史考特外表英俊潇洒,风流倜傥,却是一个极为重视享受生活的惯贼。他在一次行窃中窃得芭芭拉.威廉斯扮演的米姬的日记,于是他按照日记中描述的那样,以米姬梦中情人的打扮出现在米姬的世界里,成为一个既偷物又偷心的大盗。该片情节安排相当巧妙,在亮丽映象的包装下,让观众达到视听等感观上的极为满意的效果。
回复 :Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
回复 :19世纪初,闭关锁国下的日本。一群期盼开国的兰学者(日本近代早期通过学习荷兰语而接触西方文化的知识分子),在幕府掌权下,秘密复制了日本地图。为了将地图副本交予荷兰人,他们派遣年轻的兰学者道庵作为密使出发了。道庵隐藏踪迹行走于山林,而以高山为首的守山人则带着幕府派发的道庵画像,开始了他们的山中围猎……
回复 :一个下着雨的夜晚,着名的玩具师傅被人绑架了,只有一只老鼠有办法找到他的下落,那就是住在贝克街的超级侦探巴索!伤心的玩具师傅女儿奥莉薇,在好心的道森医生帮忙下,终于找到大名鼎鼎的巴索,说服他展开营救行动。巴索终于发现绑架玩具师傅的幕后黑手,竟是他长久以来想将之绳之以法的头号敌人瑞根!聪明的巴索是否能即时揭穿瑞根的秘密让奥莉薇与父亲团聚,甚至成为挽救国家安危的英雄?