获奖:欧美1993年法国恺撒奖提名最佳男新人1992年美国西雅图国际电影节最佳导演奖介绍:欧美这是伊夫·蒙当的银幕绝唱,他扮演一个从疯人院逃跑出来的病人,喜欢跟树木对话,踩水而行,但身上带着枪支。影片的主角是两个巴黎青年,一个是涂鸦派画家,另一个是他的黑人小兄弟。他们从巴黎来到南部的图卢斯,以逃避无聊的生活,寻找刺激。影片的色彩很绚,技巧也很招摇,给人很酷的感觉。两位主角的表演值得称道。片名是《巨兽岛》(Isle aux Pachyderms)的缩写,数字是指该导演的第五部作品。
获奖:欧美1993年法国恺撒奖提名最佳男新人1992年美国西雅图国际电影节最佳导演奖介绍:欧美这是伊夫·蒙当的银幕绝唱,他扮演一个从疯人院逃跑出来的病人,喜欢跟树木对话,踩水而行,但身上带着枪支。影片的主角是两个巴黎青年,一个是涂鸦派画家,另一个是他的黑人小兄弟。他们从巴黎来到南部的图卢斯,以逃避无聊的生活,寻找刺激。影片的色彩很绚,技巧也很招摇,给人很酷的感觉。两位主角的表演值得称道。片名是《巨兽岛》(Isle aux Pachyderms)的缩写,数字是指该导演的第五部作品。
回复 :当爱逐渐变得褪色无光,婚姻的瓶颈期就随之而来了。本(布鲁斯·威利斯 Bruce Willis饰)和凯迪(米歇尔·菲佛 Michelle Pfeiffer饰)的婚姻也面临着这个难题。一方面,他们还爱着对方,另一方面却又对每况愈下的婚姻质量失去耐性。孩子们去夏令营了。这一个月里面,他们可以有足够的空间和时间重温旧梦,寻回爱情的美妙感觉。然而,他们的努力一再白费。刻意的挽回婚姻只令彼此都更清楚到了非分开不可的地步了。于是,二人协商,在孩子们回来的那天,要跟他们好好谈论离婚的决定。首先反悔的是凯迪,她对本的爱情明明还在,而这个家庭的气息让她如此舍不得摧毁。凯迪的爱意让本也觉得,他们应该再为婚姻的努力一下……
回复 :肯尼意外地用从麦奇跑买来的食物喂了一只患有糖尿病的警察的马,结果杀死了它。之后,他被关进了监狱,并获得了100万美元的保释金。其余的人必须在讨厌的内特找到肯尼之前把他保释出来。该组织决定出售瑟古德在一家制药实验室做门卫的大麻。他们与说唱明星Sir Smoke-A-Lot以及毒贩Samson Simpson的竞争对手成为朋友。另一方面,瑟古德寻求玛丽·简的爱,她是一个反大麻的商人的女儿。接下来是典型的瘾君子行为和大量的配角。仔细观察。
回复 :A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.- JohnHowardReid, imdb