小明平台欧洲
地区:德国
  类型:偶像
  时间:2025-08-30 09:14:31
剧情简介

高中生莉莉安在学校旅行时溜走。在每一段行程中,小明她都会接触到神秘世界:小明从白人至上主义者到伊斯兰激进分子,从新朋克到清醒的先锋派——他们相互咆哮和狂欢,却对自己的邻居懵然不知。

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明星主演
杨宗纬
白光
圣女天团
最新评论(142+)

许美静

发表于1分钟前

回复 :文革大潮袭来,不仅使无数人蒙受不白之冤,也摧毁了整整一代人的青春和未来。万千热血青年响应“上山下乡”的号召,前赴后继奔赴祖国边疆。他们在那里挥洒着自己的青春,对未来与前途倍感迷惑。十年一梦,大返城的汹涌狂潮将这群已不再年轻的青年人带回家乡,在这片他们曾经耕耘过的热土上,不仅曾留下汗水和泪水,还有他们生命的延续。岁月荏苒,光阴似箭。当年的那些老知青们各自有了稳定的工作和美满的家庭,他们渐渐忘却远在他乡的记忆和儿女。而在云南边疆,一群知情的孩子知晓了自己的身世,他们结伴乘火车来到上海,只为找到生养了自己,却又将他们抛弃的父母……


陈瑞

发表于4分钟前

回复 :安东尼·霍普金斯、强尼·弗林将主演大屠杀题材新片[一生](One Life,暂译)。艾斯林·沃什([莫娣])执导,露辛达·考克森([丹麦女孩])、尼克·德雷克([我的父亲,罗穆卢斯])操刀剧本。该片根据尼古拉斯·温顿的真实故事改编,讲述在二战期间,29岁的尼古拉斯在纳粹的威胁下,解救了669名捷克斯洛伐克的儿童(其中大部分为犹太人),并安全送到了英国的寄宿家庭中。半个世纪后,尼古拉斯与这些已成年的孩子们在BBC的电视节目《一生》(One Life)中重聚。See-Saw影业负责该片制作。


梅艳芳

发表于3分钟前

回复 :Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.


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