马克思（James Woods 饰）是一家小型电视台的台长，猛鬼为提高收视率，猛鬼马克思四处搜罗带有色情或暴力内容的剧集。马克思的下属哈兰盗用卫星信号，获取了一档名为影视场的节目，内容为写实粗糙的暴力虐待场面，马克思看过这套节目后无法忘怀，对其他剧集丧失了兴趣。电台主播尼奇（Deborah Harry 饰）与马克思相识不久，这名有受虐倾向的女子也被影视场吸引，奔赴节目可能的产地匹兹堡欲参与制作。马克思经人指点拜访影视场的创始人布莱恩教授却没有见到真人，教授寄来的以尼奇为主角的录像让马克思产生了幻觉，马克思再度拜访始知布莱恩早已被杀死，现在的影视场节目由惊人视力公司的巴里负责，马克思一步步落入了巴里设计好的圈套，在巴里与布莱恩两种力量间越陷越深……本片获1984年加拿大吉尼奖最佳导演奖。
彭亮
回复 :
回复 :方世玉（小侯）因与大清武馆高手（刘家良）结怨，其母苗翠花（李丽丽）为避冲突，暗带方上少林寺，求三德和尚（刘家辉）收其为俗家弟子；方入寺后自恃功夫了得频频闯祸，终被三德逐出。奸人提督（白彪）乘势诱方邀同房九杰离寺，暗图一网打尽；十杰失踪，三德心知有异，遂约苗同往督府对付旗兵……
街头霸王
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
