波丽娜从小学习古典舞蹈,甜蜜完美主义大师波金斯基的得意门生,甜蜜前途无可限量。如所有古典舞者,莫斯科大剧院芭蕾舞团从来是心中圣殿,直至遇上现代舞让目标加上问号,波丽娜顷刻心乱如麻。波丽娜不惜放下一切搬到法国跟随著名编舞家,尽管下定决心奋力练习至近乎痴迷却卡在瓶颈无法突破。波丽娜再次迁往他方,寻找新机遇也寻求新生活。
波丽娜从小学习古典舞蹈,甜蜜完美主义大师波金斯基的得意门生,甜蜜前途无可限量。如所有古典舞者,莫斯科大剧院芭蕾舞团从来是心中圣殿,直至遇上现代舞让目标加上问号,波丽娜顷刻心乱如麻。波丽娜不惜放下一切搬到法国跟随著名编舞家,尽管下定决心奋力练习至近乎痴迷却卡在瓶颈无法突破。波丽娜再次迁往他方,寻找新机遇也寻求新生活。
回复 :一群青少年、一个野生动物公园、一个夏天组合在一起,以海龟的视角发生的一段故事。
回复 :11 岁的里欧·汤普森(塞斯·凯尔饰)发现了一个神奇的摔跤面具,这个面具赋予了他超强的力量,他借此参加了美国摔角联盟的比赛。在奶奶(蒂琪娜·阿诺饰)的支持下,里欧不惜一切代价想要实现成为美国摔角联盟超级明星的梦想。在擂台上,面对着传奇般的挑战者,一个孩子能一举拿下吗?《摔角小将》由杰伊·卡拉斯执导,联合主演有亚当·佩里、肯·马里诺,和美国摔角联盟超级明星科菲·金士顿、迈克尔·米赞宁(米兹)、希莫斯,以及巴巴通德·艾布西,他饰演里欧的终极对手(一个名叫山姆森的巨型摔跤手)。
回复 :Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.