剧情简介
身为女大学生的于雯欣为满足自己的虚荣心而碰触到了校园贷，她的好友王晓薇知道此事后，极力想帮她回归正常的生活，可没想到两人都掉入了黑暗，最后两人在警察的帮助下重见光明。
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身为女大学生的于雯欣为满足自己的虚荣心而碰触到了校园贷，她的好友王晓薇知道此事后，极力想帮她回归正常的生活，可没想到两人都掉入了黑暗，最后两人在警察的帮助下重见光明。
回复 :一名13 岁女孩的失踪案令这个执着的检察官寝食难安，试图尽一切努力查出真相。改编自真实案件。
回复 :出品，摄影：安徽省关爱未来组委会，合肥市伟玲文化传播有限公司，安徽中艺影视公司许可证：2008-080声音制式：SR幅别：遮幅影片讲述了几名儿童犯罪获劳教后，在感化下醒悟积极向上的故事
回复 :Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
