在费城北部度过夏天的时候,影院一边是犯罪世界,一边是关系疏远的父亲充满活力的都市牛仔亚文化,这让一个问题少年感到左右为难。
在费城北部度过夏天的时候,影院一边是犯罪世界,一边是关系疏远的父亲充满活力的都市牛仔亚文化,这让一个问题少年感到左右为难。
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
回复 :"早晨六点钟,西夫准时起床,到医院照顾生病的妻子。西夫与妻子一起走过了四十多个年头,而妻子现在已经在病床上昏迷了8个月了,生命特征日益微弱,西夫希望医生给妻子做手术,但医生拒绝了,并劝他放弃治疗,减少她的痛苦。他依然让自己保留着一丝希望,等待着妻子醒来。泰拉的丈夫拉吉特出差时出了车祸,颅骨受重创,也陷入昏迷中。泰拉孤身一人来到医院,彷徨无助中认识了西夫,西夫给了她鼓励和帮助,让她有勇气面对现实的困境。医生对拉吉特诊断后,建议手术。但手术需要切除一小块大脑,会对运动和思维造成影响,塔拉知道拉吉特热爱运动,他宁可体面的死去而不是痛苦的活着,她决定拒绝手术。西夫和泰拉观念发生了冲突,他们吵了一架,但是冥冥中他们又相遇了,一起喝酒跳舞,了解对方家庭和伴侣的情况,成熟的思想和年轻的灵魂发生碰撞,他们的想法都有了一些变化。最终,西夫同意给妻子拔掉呼吸机,泰拉同意丈夫做手术,他们现在能做的只有等待……"
回复 :这是一部反映公安战线基层派出所民警“对党忠诚、服务人民、执法公正、纪律严明”精神风貌,在最普通岗位上书写英雄凯歌的主旋律影片。影片中绝大部分的情节都是根据真实故事改编。