剧情简介
迈克尔．基顿协同一个全明星阵容克里斯托弗．劳埃德，丁香彼得．博伊尔和史蒂芬．弗斯特出演了这个滑稽，丁香夸张的喜剧，讲述的是四个精神病人在去看棒球比赛的途中与他们的精神病医生分开了。现在要靠比利（基顿），一个病态的骗子;亨利（劳埃德），一个极端的洁癖;杰克（博伊尔），一个有救世主情节的广告人;和阿尔伯特（弗斯特），一个自闭的电视迷，来挽救他们失踪的医生，展开了一段梦幻般的历险遭遇。
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迈克尔．基顿协同一个全明星阵容克里斯托弗．劳埃德，丁香彼得．博伊尔和史蒂芬．弗斯特出演了这个滑稽，丁香夸张的喜剧，讲述的是四个精神病人在去看棒球比赛的途中与他们的精神病医生分开了。现在要靠比利（基顿），一个病态的骗子;亨利（劳埃德），一个极端的洁癖;杰克（博伊尔），一个有救世主情节的广告人;和阿尔伯特（弗斯特），一个自闭的电视迷，来挽救他们失踪的医生，展开了一段梦幻般的历险遭遇。
回复 :有前科的Johnny (Scot Williams饰, 《The Crew》)卷入了一场抢劫案中。他们计划去偷黑帮头目“精明的”Eddie (Paul Freeman饰, 《Raiders of the Lost Ark》, 《Hot Fuzz》)在家里藏匿的一百万美金黑钱。但是Johnny不知道的是另外还有7个恶徒也在打这笔钱的主意。
张玥
回复 :永作博美扮演拐骗情人女儿的拐骗犯“希和子”，井上真央扮演被拐少女“惠利菜”，通过“希和子”对“惠利菜”犹如母亲般的关爱和抚养，讲述了2人离奇命运的“母女情”……
胡椒猫
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
