National Geographic will release a new documentary film this year about the extreme climber Alex Lowe. Directed by Lowe’s son Max, Torn will explore his father’s life and tragic death, and impact on the family after such a loss.
National Geographic will release a new documentary film this year about the extreme climber Alex Lowe. Directed by Lowe’s son Max, Torn will explore his father’s life and tragic death, and impact on the family after such a loss.
回复 :一个具有冒险精神的女人想要跟自己的丈夫到森林里野营来联络感情,他们要去的森林里有不明生物杀死了几个猎人,这些不明生物阻止这对夫妇出他们的帐篷,他们必须知道真正的威胁在他们的帐篷里面还是外面。。
回复 :2018年5月和6月,Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学生合作,开展了一项将电影与政治结合起来的项目。学生们在摄像机前和摄像机后工作,重新布置罢工、抵抗和劳资纠纷的场景,这些电影可以追溯到20世纪60年代末到70年代末,包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果,并增加了采访,在采访中,导演询问学生他们刚刚表演的场景,关于“阶级”、“工会”和“政治参与”等概念,以及更广泛的社会背景。这是一个简单,但尖锐的设置,让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学生的企图。在导演和学生似乎处于平等地位的遭遇中,基于从未见过的导演更多类似于老师的提问,以及此时此刻对革命的思考:起义的表现反映了同样的情况。这会导致一个真实的发生吗?In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?回到1968年的电影时代,继续对重放从过去跳出来的电影节选的年轻人进行今天的采访,我们的失败描绘了我们当前与政治的关系。我们的失败,还是我们有足够的力量来面对今天的混乱?By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
回复 :民谣歌手雨人性格自负,总梦想成为歌星,在遇到第一个女朋友芸芸后,不惜让芸芸放弃自己的工作照顾自己,还自信满满的认为自己很快就能成名,最终芸芸离开了雨人,不甘心的雨人带上自己的原创专辑打算在北京创出名堂,但很快回来,原来新找的女朋友兰欣为雨人找到了投资人,但天赋一般的雨人高估了自己的同时又把投资人的资金挥霍完,和兰欣结婚后也不懂照顾家庭,继续自己空洞的梦想,甚至有了女儿梅梅也不愿回家,还在想着如何通过投机取巧来成名,此时雨人已经开始走火入魔,一心只想成为歌手,为此和兰欣离婚,但心底善良依然爱着雨人的兰欣,最终通过记者徐丽的规劝帮助,让雨人又回归了家庭,而经过十几年的音乐梦想,雨人也最终明白家庭亲人才是生命中最珍贵的,雨人也不再想成名,安心为家庭的幸福而努力,此时的雨人唱出的民谣已经非常平和,只是喜欢。