20岁的茉莉因患病被告知仅剩10年寿命。为了不对活着这件事抱有执念,欧美她决定不再恋爱。直到她在同窗会遇到了和人...原作者小坂流加和主人公茉莉一样身患绝症,欧美并于2017年2月文库本发行前夕离世。
20岁的茉莉因患病被告知仅剩10年寿命。为了不对活着这件事抱有执念,欧美她决定不再恋爱。直到她在同窗会遇到了和人...原作者小坂流加和主人公茉莉一样身患绝症,欧美并于2017年2月文库本发行前夕离世。
回复 :二十世纪三十年代的上海,灯红酒绿中透出重重杀机。帝国主义列强摩拳擦掌,准备对积弱的中国全面蚕食。其中尤以近邻日本,最为阴险狡诈,酝酿着惊天的阴谋。当下的上海滩,都关注着国宝失窃案。一条象征着皇权的黄金龙在南京被盗。爱国义士纷纷表态,悬赏重金寻找金龙。江湖传言,窃贼为日本国派出的雌雄大盗,而上海滩租界则是黄金龙被运往日本前的最后一站。每一个关心国家命运的人,都准备不计代价阻止金龙运出国境......
回复 :1965年,朱丽亚被代理主教派到了拜仁的小村庄雷尔巴赫建立一个儿童之家。因不满市长和神父挑选的场所,朱丽亚决定自己选址。她走访多处,终于发现一处已为他用的军营。军官卡特带着朱丽亚参观了宽敞明亮的军营,并让她以低廉的价格买了下来。朱丽亚修整军营后,儿童之家正式建立,孩子们十分开心。朱丽亚因为帮助邻居特蕾莎避孕、将虐待儿子的村民告上法庭,遭到许多村民的排挤。深受打击的朱丽亚被代理主教召回。经过代理主教的一番开导,朱丽亚再次回到雷尔巴赫。在日渐相处中,村民们对朱丽亚的态度有所改观,他们开始送来食物帮助儿童之家渡过难关。越来越好的儿童之家又迎来了一批新的孩子。卡特来找朱丽亚,说自己要被调到拉姆斯坦解决那边的战事,两人依依惜别,朱丽亚表示会一直等他。
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.