仓木麻衣
发表于6分钟前回复 :陈沫(许伟豪 饰)与刘雯(伊丽努尔 饰)两人大学毕业后,刘雯选择了出国进修而陈沫则进入社会工作,两人从此天各一方开始了长达两年的异地恋。随着陈沫工作的日益繁忙,以及刘雯学业压力的逐渐增加。两人的轨迹渐行渐远,话题也越来越少。一晃两年很快就过去了,虽然两人并没有提出分手,都还在坚持着彼此相信的那份感 情,但坚持似乎变成了僵持。就在刘雯毕业典礼的前夕,刘雯在跟陈沫视频通讯时,陈沫手机画面里却出现了另一名裹着浴巾,衣冠不整的香艳女子。刘雯伤心欲绝,向陈沫提出分手。陈沫为了挽回这段感情,立刻放下手中的工作飞往美国,并得知刘雯将前往纽约实习。陈沫连哄带骗,说是要开车送刘雯去纽约,以完成自己多年的承诺。原本以为是一条温馨浪漫的爱情之旅,却囧状连连,事态百出。两人被困荒野,午夜遭遇野兽突袭,命悬一线。陈沫为了保护刘雯身负重伤,奄奄一息。
摩天人
发表于7分钟前回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
石小杰
发表于1分钟前回复 :In this futuristic sci-fi film, based on the legends of the Golem, insane scientists have invented technology that give them total control over the half-human, half-android population of Earth. Trouble ensues when one of the creatures begins showing independent will. He must be destroyed lest he influence the rest. They pursue him, but somehow he continues to elude the evil doctors. ~ Sandra Brennan, All Movie Guide