海泽尔（谢琳·伍德蕾 Shailene Woodley 饰）是一名十六岁的美丽少女，亚洲正处在黄金年代的她本该和其他同龄人一样尽情享受生命和青春带来的快乐与希望，亚洲但无情的病魔找上了海泽尔，她是一名肺癌患者。尽管最近病情有所好转，但海泽尔的心情却并没有因此而轻松半分，癌症随时可能复发的阴影和无法中断的治疗如影随形，让海泽尔对生命几乎失去了所有的热情和希望。一次偶然中，海泽尔在癌友互助会中结识了名叫奥古斯都（安塞尔·埃尔格特 Ansel Elgort 饰）的英俊男孩，他所患的是骨癌。两个境遇相似的年轻人很快就越走越近，他们在一起，探索着上帝留给他们的小小的一片世界，海泽尔也因此看到了未来和希望。
大泉逸郎
回复 :Mort Colvins是一家动漫店的老板，对于电影漫画他有着自己独特的见解，Ellen Peter在他的店里打工，两个人经常聊天，相处的不错，下班Ellen开车载Mort回家，一切看似进展顺利，然而Mort并不能摆脱自己的奇妙想法，他有着不同寻常的梦，怀着年少时的纯真，这天早上Ellen像往常一样载他上班，路过一处草地，Mort下车凝视这一片空地，讲述了曾经有一个失踪女孩的故事，原本平静的生活从此开始了转变……
黄翠珊
回复 :本片讲述了在七十年代，一对有情人共同救助了一直受伤的白鹭，却因误会而分割两地，女主角刘芳独身一人抚养两人的女儿长大，一次意外令刘芳而身亡。二十年后，男主角李强回到了厦门找寻爱人，却只等到了刘芳身亡的消息。失去爱人的李强，回到了厦门，与女儿刘念一起经营白鹭生态养殖基地，缅怀与爱人刘芳的感情……
何耀珊
回复 :Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
