剧情简介
《铁男本色》是一部香港的动作电影，上课视频影片由尹扬明、上课视频林健龙两位导演执导，罗锦富担任编剧，吴家丽、于荣光、黄光亮主演，尹扬明导演在剧中也参与了演出。影片《铁男本色》的主角叫做菜头，菜头因为误杀人而被判监十八年，出狱后的菜头欲寻回昔日女友花，却查无芳踪，直至菜头替悉哥当司机后，菜头才得知花已经成为了悉哥的妻子，此时菜头和花见面的机会多了，二人爱火重燃，菜头更策划把悉哥准备开赌船的钱劫走，好与花远走高.....
上课跳蛋视频
《铁男本色》是一部香港的动作电影，上课视频影片由尹扬明、上课视频林健龙两位导演执导，罗锦富担任编剧，吴家丽、于荣光、黄光亮主演，尹扬明导演在剧中也参与了演出。影片《铁男本色》的主角叫做菜头，菜头因为误杀人而被判监十八年，出狱后的菜头欲寻回昔日女友花，却查无芳踪，直至菜头替悉哥当司机后，菜头才得知花已经成为了悉哥的妻子，此时菜头和花见面的机会多了，二人爱火重燃，菜头更策划把悉哥准备开赌船的钱劫走，好与花远走高.....
堂娜
回复 :Jailed under a tough cop, an uneducated politician decides to spend his time studying for high school, while his scheming wife has plans of her own.
邓咏家
回复 :罗伯特（连姆·尼森 Liam Neeson 饰）是一名画家，他的妻子在早年间过世了，这一次，他从伦敦赶往意大利，就是要处理他曾经和妻子一起生活过的那幢充满了回忆的房子的。妻子的死让罗伯特和儿子（米歇尔·理查森 Micheál Richardson 饰）之间的关系日渐疏远，对于父亲想要将房子卖掉的决定，儿子也非常的不理解，这让父子两人的感情雪上加霜。罗伯特发现这幢房子要远比他记忆里破旧的多，不仅如此，他还在客厅的墙壁上发现了妻子留下的大片意义不明的彩绘。为了将房子卖出个好价格，罗伯特和儿子打算亲手修缮这间屋子，在此过程中，两个人都收获到了人生的真谛。
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
