剧情简介
傑尼斯「嵐」的成員櫻井翔，亚洲越來越有大將之風，亚洲日本電視台拔擢他演出連續劇「好孩子的夥伴～熱血幼稚園教師物語」，這也是他首次擔任戲劇男主角。櫻井翔飾演新來的幼稚園老師，描述他在女性為主的職場中，力爭上游的歡笑、淚水交織故事。櫻井翔表示：「首次挑大梁演出，希望在拍攝的三個月裡和工作人員一起完成這部好戲。」
亚洲国产三级
傑尼斯「嵐」的成員櫻井翔，亚洲越來越有大將之風，亚洲日本電視台拔擢他演出連續劇「好孩子的夥伴～熱血幼稚園教師物語」，這也是他首次擔任戲劇男主角。櫻井翔飾演新來的幼稚園老師，描述他在女性為主的職場中，力爭上游的歡笑、淚水交織故事。櫻井翔表示：「首次挑大梁演出，希望在拍攝的三個月裡和工作人員一起完成這部好戲。」
回复 :该剧主要讲述了职场小菜鸟向晴进入海星集团特殊事业部工作，与四位性格各异的男同事，共同向上、共同成长的故事。剧中，女主向晴作为一名资历平凡的“社畜”，没有显赫的背景和奇迹般的际遇，而是从一个普通的小职员成长为能够独挡一面，为企业提高品牌知名度的人，其接地气的职场生活与观众产生了强大的共鸣。而随着李苏航与向晴的情感线逐渐明朗，甜宠元素也牵动着无数观众的心。
泷泽秀明
回复 :Kasik、Panturath和Taanta是三个相互接壤的国家。Kasik在北边，物产丰富，有钻石之国的美誉，却没有用来出口矿产的海港；Panturath在Kasik和Taanta两国中间，由王后摄政；Taanta在南边，是个弱小的国家，却拥有海港。Taanta国国王看中了Kasik 国的富有，而Kasik也需要出海口，因此两国联姻。听信了Kasik国的国王Rangsiman不好谣传的Taanta公主Manisara在迎娶她的那天，骑马逃走，碰到在边境的Panturath国王子Tayutiton，被带到Panturath国的行宫。Panturath的公主Tasiga听说哥哥并没有把Manisara公主送回Kasik，不由担扰这件事将会引发战争，于是决定动身前往行宫，途中被一群黑衣人伏击，和随从走散，遇上乔装到Panturath查探虚实的Kasik国王，被迷晕带到了Kasik国队伍。究竟Kasik国国王为什么要药迷Tasiga公主？是一见钟情还是出于政治的目的？而由Panturath国Manisara公主的逃婚引发的一连串事件是否会导致三国之间的纷争，三国又将如何行动？
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.
