池佑因前女友的意外去世，阿衰一直沉溺于过去，阿衰不肯正视现在。一次意外中，池佑偶然发现了一个与他前女友声音相似的电台主持人。随后，池佑与这个电台主持人顾瑾汐产生了一系列有趣的故事，两人从误会到逐渐认识，再慢慢地成为了无话不谈的好友。没过多久，顾瑾汐因情所伤，池佑与顾瑾汐见面，池佑带着顾瑾汐四处散心，两人度过了一段快乐的时光。但随后顾瑾汐便发现了池佑与前女友的合照，产生了误会，离开了池佑。池佑无法忘记前女友，不愿正视自己爱上了顾瑾汐的事实。眼看两人的感情就要因此结束。在最后，终于意识到自己想法的池佑，决定找到顾瑾汐，向她表达自己的爱。
回复 :擅長在作品中處理人與人的親密感的濱口，以四小時的長度捕捉日常與非日常之間。劇場裡的青年男女為了創作與生存而鬥爭。濱口藉由一個又一個長鏡頭追逐舞台劇的排演過程，耐心等候必然的衝突與 張力，既展現了攝影機暴力的本質，同時 思考「在鏡頭前面演出」是怎麼回事。現實與虛構巧妙交錯，舞台上下的衝突與暴 力，哪一邊才是真實的人生。
回复 :当神秘小美人鱼遇上了传说中的大海怪，深藏在海洋深处的秘密也由此揭开，一场充满惊险刺激的海洋冒险之旅即将开启……
回复 :This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity.I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few).Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
