朱丽叶（西德妮·斯威尼 Sydney Sweeney 饰）从小就生活在姐姐薇薇安（麦迪森·伊瑟曼 Madison Iseman 饰）的光环之下，美女薇薇安比她漂亮，美女比她有才华，比她受欢迎，还考入了她梦寐以求的音乐学院。所有人都坚信薇薇安在音乐方面前途无量，终将功成名就。一次偶然中，朱丽叶捡到了一位自杀的女生遗留下来的乐谱，她演奏了这份乐谱，并且被其中诡异而又优美的旋律所深深吸引。学校正在招募音乐会钢琴独奏的人选，薇薇安显然是胜算最大的那一个，然而，朱丽叶凭借捡到的乐谱将这个机会从姐姐的手中夺走，这亦造成了姐妹反目。之后，朱丽叶感到自己内心的欲望越来越膨胀，她想要得到更多。
陈淑桦
回复 :伯恩斯坦（乔·哈姆 Jon Hamm 饰）是一名体育经纪人，在这个竞争激烈的行业里，伯恩斯坦的事业屡屡受挫，最终，伯恩斯坦决定和球探雷（艾伦·阿金 Alan Arkin 饰）前往印度，将这里作为他们最后一搏的战场。在印度，两人策划了一个名为“百万金臂”的真人秀节目，意在平凡人之中发掘拥有投球天赋的投手，并且最终将迪尼斯（麦活·米泰尔 Madhur Mittal 饰）和瑞库（苏拉·沙玛 Suraj Sharma 饰）两名少年招入麾下。之后，伯恩斯坦将两人带回了美国，投入了紧张而又高压的体能训练之中。然而，从未涉足的新奇国度和繁重的训练让两名土生土长的贫民少年很不适应，一直无法发挥真正的实力，不过伯恩斯坦并没有放弃，因为他早已经没有了退路。
回复 :当她考虑放弃她的艺术梦想时，杰米画了一个视觉板，带来她的成功和爱-但发现，她画中的神秘人不是她所想的。
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
