幕末的德川幕府，亚洲区因列强的压迫下，亚洲区力量衰减，从此一蹶不振。就在此时，由芹泽鸭、近藤勇、土方岁三、山南敬助、冲田总司等人组织了“新选组”共同保卫幕府的政权。浪人山崎烝（市川雷藏饰），因被新选组局长近藤勇（城健三朗饰）的个人魅力所折服。不顾伴侣的强烈反对下，踌躇滿志的向新选组毛遂自荐，要求加入。随之山崎以他超群的剑法，很快的得到近藤和土方等人的信赖，而前局长芹泽鸭在新选组内部革命时遭到了处决，正好被山崎见状，从此对新选组有所顾忌，“池田屋事件”中，山崎为了保护的同伴，不得不举刀来对抗在池田屋的讨幕人士，事件之后他放弃了以前的伴侣，随着新选组扬长而去。
潘协庆
回复 :They do not show war in this film, they show people and their dreams and hopes ruined by the war. It is not just another "war film", but it rises to the level of a true Tragedy. Not a propagandist or a sob story. Many critics compare this film to another famous Russian war drama, The Cranes Are Flying. I still think that The House I Live in is better, though, if you've seen The Cranes and liked it, most probably you'll love this one either. Both films were shot in 1957 and treat the war theme from the similar humane perspective. I wouldn't cut a single shot from the film, all of them are just in place. I do not know if it can be found outside Russia, if yes, don't miss it.Many critics pointed out resemblances between Dom, V Kotorom Ya Zhivu (The House I Live In) and the better-known Soviet film The Cranes are Flying. Set in the years prior to and during WWII, the story centers on the various residents of a co-op house. Though the directors never show the war itself, its tragic impact is felt throughout the film. And despite the potential for Soviet propaganda, what sticks in the mind is the universality of the experiences endured by the leading characters. Dom, V Kotorom Ya Zhivu was one of Russian's entries in the 1958 Brussels Film Festival.
王杰
回复 :当都市御姐雪娇遇上凤凰男潘庆，当真爱面对百般刁难的岳母。在爱和不爱间徘徊摇曳，在爱和痛苦边延续自强不息。落花有意随流水，流水无心恋落花！ 可能与不可能，“to be or not to be”，永远都是年轻人和家长们浪口舌尖上的主题。
翟羽佳
回复 :明代故事：已故太原守备之女陈秀英与母开茶馆为生，其父留一铁弓，遗言能开弓者即以女许婚。太原总镇史须龙之子欲娶秀英，被陈母痛打而逃。陈母造之，遇史部将匡忠解劝，约回茶馆。秀英钟情于匡， 匡又能开弓，二人比武成婚。史须龙父子合谋命匡父子解钩，暗地却买通关白劫伪。匡父子因失伪发配云南。史子又去逼秀英，秀英假意允婚，将其杀死J母女同逃，投匡友王富则。不料， 富刚正来访匡，被史家丁拿获，王督抚知其冤，赦之。秀英乔扮男子， 冒富刚名，路上遇关白之女翠娥，许婚。秀英假约三事后、成礼，代掌兵权。起兵攻太原，杀史须龙报仇。王督抚令富刚出战，真假富刚交战无胜负，王又调回匡父子， 匡与秀英相见，夫妻团圆。一名《英杰烈》、《豪杰店》。《开茶馆》一折有时单独演出。荀慧生代表作。
