剧情简介
姜贤世是个没有梦想，声世没有明天的黑社会的成员。突然有一天，声世他的面前掉下一个遗产——幼儿园！黑社会和幼儿园，世界上不会有第二个这样不协调的组合吧？这个幼儿园里有一个与姜贤世处处对立的女老师俞未来和严肃的监管老师高雅拉，还有一群可爱的小朋友。周边更有时刻盯着幼儿园的父亲和黑社会的老大。姜贤世和他们之间到底会发生什么样的故事呢？到底母亲留下的伟大的遗产是什么呢？只是一所幼儿园吗？
尺八·一声一世
姜贤世是个没有梦想，声世没有明天的黑社会的成员。突然有一天，声世他的面前掉下一个遗产——幼儿园！黑社会和幼儿园，世界上不会有第二个这样不协调的组合吧？这个幼儿园里有一个与姜贤世处处对立的女老师俞未来和严肃的监管老师高雅拉，还有一群可爱的小朋友。周边更有时刻盯着幼儿园的父亲和黑社会的老大。姜贤世和他们之间到底会发生什么样的故事呢？到底母亲留下的伟大的遗产是什么呢？只是一所幼儿园吗？
胡兵
回复 :
钟明峻
回复 :传奇卧底爆seed归来，发现世界天翻地覆。昔日如师如友的搭档卓凯疑似变节，空降上司韦作荣作风强硬。敌友难分，关系错综，一场关乎每个人安危的对决，正愈演愈烈！
李濠
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.
