恋爱A shy small-town Ohio girl who loves movies but dislikes reality, discovers the delightfully bizarre films of Federico Fellini, and sets off on a strange, beautiful journey across Italy to find him.
恋爱A shy small-town Ohio girl who loves movies but dislikes reality, discovers the delightfully bizarre films of Federico Fellini, and sets off on a strange, beautiful journey across Italy to find him.
回复 :根据徐贵祥同名小说改编。 铁匠的儿子石平阳带着父亲的嘱托参军来到炮兵部队。他的一股冲劲,受到营长庄必川的喜爱,老班长李四虎更喜欢石平阳不服输的劲头。李四虎是技术尖子,他对新战士训练十分严格,新战士进步很快。他把石平阳视作接班人,要在自己退伍之前把经验全部传授给石平阳,甚至以故意装病,让石平阳独立完成训练课目。石平阳进步很快,年终还荣立了三等功。和他一起入伍的女兵张媚对他也另眼看待。教导队招收骨干,进教导队就能报考军校,成为军官。营长担心比武缺了石平阳影响成绩,因此改派与石平阳一同入伍的王北风去了教导队。机会得而复失,石平阳有些想不通。父亲去世了,指导员让他回家料理,但他走到半路,想起父亲的嘱托,毅然返回连队。李四虎复员了,石平阳接任班长,他把老班长的好传统全部继承下来,爱兵、爱炮、爱部队,技术精益求精。同时入伍的王北风和张媚进了军校,石平阳仍然当班长。排长调走了,石平阳任代理排长,这时,他入伍已有八年。团里为了留住他,让他准备报考军校。就在这时,新战士刘发展一封虽事出有因但严重失实的告状信,使他又失去了上军校的机会。石平阳要复员了,副团长庄必川舍不得他离开,从车站把他接回,团党委特别决定把他留下。石平阳又回到排里,他对刘发展更严格、更耐心训练和要求,使刘发展深感内疚。几年后,参谋王北风到部队检查工作,见到石平阳仍是上士,不免生出许多感触。在集团军的军事演习中,石平阳指挥火炮群的准确射击,令首长和指挥员们赞叹不已。石平阳多年操纵的火炮由新式火炮取代了,他虽有些恋恋不舍,但他立即和战友们开始学习掌握新的火炮,迎接新的挑战。不久,石平阳被破格提拔为中尉连长。
回复 :明代孝宗年间,施家镇出现扶桑鬼王(左颂升 饰)危害人间,并霸占美女施施(王祖贤 饰)为爱姬。鬼王伤害性命无数,惹得天怒人怨,皇上任命正直武官马尚峰(成奎安 饰)捉拿鬼王。正当愁眉不展之际,师爷向马举荐身怀绝技的草芦居士(林正英 饰)帮忙,却得知为除鬼王需牺牲自己的性命。马愤愤返回,草芦居士设计令马尚峰假死,使其化为金甲武士与徒弟(黄一山 饰)担任自己的左右护卫。师徒三人与鬼王展开艰苦鏖战,却由此导致天地玄门大开,正邪双方穿越时空,来至现代。在这里,师徒三人各自遭遇不同的蹊跷趣事。偶然机会,草芦居士发现酷似施施的女医生Gigi。绵延数百年的正邪大战将再次展开……
回复 :Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.