《在海上的两年》导演本·里弗斯新作,抓狂导演本·里弗斯在随行奥利维尔·拉克谢(本片男主角)的《含羞草》剧组时,抓狂借用《含羞草》剧组即兴拍摄的一部实验性电影,故事设定在摩洛哥的撒哈拉沙漠,用现实主义的方式拍了个特别离奇的寓言故事。获得第68届洛迦诺国际电影节的金豹奖提名。
《在海上的两年》导演本·里弗斯新作,抓狂导演本·里弗斯在随行奥利维尔·拉克谢(本片男主角)的《含羞草》剧组时,抓狂借用《含羞草》剧组即兴拍摄的一部实验性电影,故事设定在摩洛哥的撒哈拉沙漠,用现实主义的方式拍了个特别离奇的寓言故事。获得第68届洛迦诺国际电影节的金豹奖提名。
回复 :U.S Postal Inspectors are called in when a suburban couple are killed by a mail bomb. Suspicion immediately falls on the couple's estranged and heavily in debt son, who also just happens to be a Navy munitions expert. But investigations reveal that he is on the run from a past event in his life that is associated with the bombings.
回复 :Appoy is a school kid with a creative mind who couldn't cope up with the formal system. All the while he got attention through his art. When he was forced to the edge of the system he begin to lose his identity. Later he is pushed into a loser category. At one point he begins to get attention when he started to perform outside of the system as a wild character. Because of the strong outer factor of the system and due to confused feelings he chose to remain as a wild character without knowing he is actually being a slave of the rottening system.
回复 :1905年,黑道鬼逍堂血洗了丰城石家,但并未找到传说中袁崇焕的宝藏。24年后,天瀑寺的一茗大师又死在了鬼逍堂的手下,其俗家弟子上官云峰根据他留下的线索,一路追踪宝藏的踪迹,终于查明了自己的身世,原来他是当年石家灭门惨案里唯一的幸存者——石家的小儿子。而众人寻找的藏宝图就画在他的背上,就在此时,与上官云峰刚刚相认的亲生母亲被鬼逍堂的人抓住,威胁他交出宝藏赎人。上官云峰凭借自己的智慧找到了宝藏,但却陷入了两难境地,他到底是放弃民族大义将宝藏交给黑道,还是置母亲的安慰于不顾?