物理系天才李天（张睿 饰）醉心研究「前卫科学-意识的力量」。他的母亲著名音乐人梅雪燕在日本卷入一宗神秘平交道事故，强力李天只身前往日本，强力不料已踏进一个精心策划的犯罪陷阱里。幕后的强大敌人暗中摆布着李天，用比他更尖端的前卫科学，进行一连串犯罪事件。李天在东京遇上了活泼率真的张妮（何杜娟 饰），负责调查案件的刑警山崎（苗侨伟 饰），他们三人组成一支关系微妙的探案团队。事件矛头直指二十多年前的神秘乐队“先行者乐队”，三人找到了多年追查乐队的身带残障的报社记者服部介（张孝全 饰），了解到真相关系到二十年前，先行者乐队在鹿鸣馆表演中发生的一场巨大火灾，更牵涉到李天父母辈的惊人秘密……
子硕
回复 :鬼冢英吉（反町隆史 饰）是一名九流大学的毕业生，不仅学业一塌糊涂，就连以往记录也惨不忍睹，他曾当过暴走族、空手道5段，常人眼中的他可说是相当恐怖的街头混混。但英吉却有自己的梦想，那就是当一名中学老师，因为中学里有无数漂亮的美眉，一想到这英吉就经常双眼发亮。然而英吉费劲心机都没能通过公立学校的考试，于是他跑到了一家私立的中学武藏野圣林学苑应征。尽管包括教务处长内山田等人的强烈反对，但是深感学校弊端的校董觉得是应该让英吉这样的人来挑战一下传统教育的时候了。于是，英吉被录取，并被拍到问题少年最多、无人敢接手的二年四班当班主任。英吉的挑战开始了！
山本领平
回复 :女人为前男友筹集手术费甘心嫁给集团霸总，原以为这段契约婚姻只是为了孩子，殊不知霸总早已对她情根深种。
白歆惠
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.
