安妮·沃尔伯格是一位香水大师。她调制过很多世界顶级品牌的香水,猫狗并把她惊人的才华卖给了许多公司。但她是个自私又喜怒无常的女人。纪尧姆是她的新司机,猫狗也是唯一敢面对她的人。这可能就是她不解雇他的原因。
安妮·沃尔伯格是一位香水大师。她调制过很多世界顶级品牌的香水,猫狗并把她惊人的才华卖给了许多公司。但她是个自私又喜怒无常的女人。纪尧姆是她的新司机,猫狗也是唯一敢面对她的人。这可能就是她不解雇他的原因。
回复 :A steely special ops agent finds his morality put to the test when he infiltrates a crime syndicate and unexpectedly bonds with the boss's young son.
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回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.