徐承康（黄维德饰）是一家策划公司总监，午夜标准的“钻石王老五”，午夜和朋友玩“真心话大冒险”而结识了身为演员的尤美（孟丽饰）。徐在家里举办一个生日宴会，请来了在美国念书的同学跆拳道教练唐菲（苗圃饰），合作公司的好朋友陶颍（秦海璐饰）。同一天，陶颍的小学同学王奔（文章饰）也在KTV召集了一个聚会。王奔是瑞康鞋业董事长的儿子，母亲早逝，心智不是很成熟，是个典型大男孩。王奔的父亲王总（孙兴饰）是个古董车爱好者，为了激励王奔好好做事，送了一辆有特殊含义的古董奔驰车给他，王奔非常兴奋，于是召集了包括酒吧歌手彭卓然（李威饰）在内的几个好朋友聚会庆祝。同一天的两场聚会都非常热闹，到了最后，两边的人不约而同的玩起了“真心话大冒险”的游戏。随着这个游戏的展开，虽然玩的不亦乐乎，但是“真心话”夹杂了谎言，而“大冒险”则付出了沉痛的代价……
快乐家族
回复 :美籍游客贝克特在希腊发生严重车祸后，发现自己莫名身处一场危险政治阴谋的核心。为了保命，他被迫展开逃亡。
林佳颖
回复 : 夜色中的兰桂坊是享乐主义者的领域，聚合了各色人物于此寻欢作乐：阿公（单立文 饰）是帮派头目出身，如今夜夜笙歌，颇得坊间年轻人信服敬重；Jacky（陈柏宇 饰）始乱终弃，面对可能怀孕的玩伴女，如今只想摆脱；酒商销售经理Steven（沈志明 饰）夜店偶遇空姐Jennifer（连诗雅 饰），出面为其挡酒导致醉倒，Jennifer送Steven回家并顺理成章发生了一夜情，二人在一起颇感默契有趣，有意将关系维系，谁知Steven误会Jennifer与他人有染，导致后者离他而去。Steven难以忘记Jennifer，在新年派对上拒绝了其他女孩的示爱。三个月后，Steven再遇Jennifer，然而此时，她已是老板Leslie（恭硕良 饰）的女友……
曾航生
回复 :Siddartha (Dhritiman Chatterjee) is forced to discontinue his medical studies due to unexpected and brutal death of his father. He has to now find a job in stead. In one job interview, he is asked to name the most significant world event in the last ten years. His reply is 'the plain human courage shown by the people of Vietnam', instead of the expected - man landing on moon. The interviewer asks is he is a communist. Needles to say that he does not get the job.He reaches a coffee shop where he is offered to work for the communist party. When he does not show any interest the party leader tells him about an opening for a medical representative. To escape from the heat and have a snooze, he goes in to a cinema. As a government propaganda newsreel is being shown before the feature, a bomb explodes in the cinema hall. In the stampede that follows, Siddartha, breaks his watch. He goes to a watchmaker but he cannot afford the repairs.Waiting to cross the road, he notices a sexy girl. He drifts back to his days as a medical student in a flashback. The professor is explaining anatomy of female breast. Many flashbacks and dreams occur to Siddartha through the film.On his way to hostel, he has an encounter with some hippies. Along with an ex-classmate, he goes out to see a porn film but to their disappointment, the film turns out to be not-so-pornographic.In such constant wandering in a Calcutta, disintegrated relationships with his sister and a Naxalite (militant communist) brother, his friendship with Keya is only thing that keeps him sane.Keya is a simple girl. They enjoy each other's company but they cannot make any commitment to each other due to the circumstances.After yet another attempt at a job interview, Siddartha leaves the big city to take a modest job of a salesman in a far off small town. He writes to Keya that he still cherishes their relationship. And that he has heard that bird call again but this time it is for real, and not his mind. After completing the letter, he comes out to the balcony of his modest room. The bird calls again. He also hears the sombre chants of a funeral procession. As he turns to the camera, the picture is frozen.This is the first film of the Calcutta Trilogy. The other two were and Seemabaddha (Company Limited, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them.The seventies were a difficult period for India and West Bengal. The Corruption was rampant; the Naxalite movement had created havoc in Calcutta. In fact, they had turned parts of Calcutta into 'liberated zones'. By the time the Naxalite movement died down, in 1975, Mrs. Indira Gandhi (then, Prime Minister of India) suppressed the fundamental rights and declared "Emergency" for her own political survival. Her son, Sanjay Gandhi became a dictator of sorts without any official designation. The opposition leaders were thrown into prisons.About his social responsibilities as a filmmaker, in an interview with Cineaste magazine, Ray commented, "You can see my attitude in The Adversary where you have two brothers. The younger brother is a Naxalite. There is no doubt that the elder brother admires the younger brother for his bravery and convictions. The film is not ambiguous about that. As a filmmaker, however, I was more interested in the elder brother because he is the vacillating character. As a psychological entity, as a human being with doubts, he is a more interesting character to me. The younger brother has already identified himself with a cause. That makes him part of a total attitude and makes him unimportant. The Naxalite movement takes over. He, as a person, becomes insignificant."In a letter to Seton in 1970, Ray wrote that Pratidwandi was the most provocative film he had made till then. The film is said to have evoked extreme reactions. "People either loved the film or hated it", Dhritiman Chatterjee told Andrew Robinson, Ray's biographer.
