剧情简介
为了寻找创作灵感，视频悬疑小说作家许婷（魏星 饰）搬进了网友陈凯（夏望 饰）家中的地下室，视频据说这间地下室里经常有灵异事件发生。陈凯对许婷一往情深，但他发现许婷喜欢的其实是网络上那个虚拟的人物——马脸男。陈凯试图让许婷回归现实，但地下室里却发生一连串诡异的事件，显示“马脸男”真的存在。终于有一天，陈凯从地下室里挖出了一具早已腐败的男尸，而这个死者正是一切怪事的根源。
视频最精彩
为了寻找创作灵感，视频悬疑小说作家许婷（魏星 饰）搬进了网友陈凯（夏望 饰）家中的地下室，视频据说这间地下室里经常有灵异事件发生。陈凯对许婷一往情深，但他发现许婷喜欢的其实是网络上那个虚拟的人物——马脸男。陈凯试图让许婷回归现实，但地下室里却发生一连串诡异的事件，显示“马脸男”真的存在。终于有一天，陈凯从地下室里挖出了一具早已腐败的男尸，而这个死者正是一切怪事的根源。
王蓉
回复 :距今一万年前的美洲，阿卡尼文明盛行一时，阿卡尼相信世界分为光明与黑暗两个世界，彼此间存在联络之门。有记载称阿卡尼曾打开两个世界间的门，使一些魔物肆虐世间，随后阿卡尼神秘灭亡。20世纪60年代，政府成立超自然研究部门713局，委派莱昂内尔?哈金斯博士（Matthew Walker 饰）研究阿卡尼文明，但他的研究随后被推翻。哈金斯躲在一个小岛，对儿童进行残酷的秘密试验，使他们和魔物融为一体。21世纪初，各地接连发生儿童失踪案件，超自然现象调查员爱德华?卡比（Christian Slater 饰）受命前往小岛调查，但他才出机场，便遭到神秘之人的攻击。这一切注定他的旅程艰险无比……
弦子
回复 :The unemployed Duval is contacted by a mysterious organization to transcribe intercepted calls. He accepts the job with no suspicions, since it restores stability to his life, but it will soon result in political shenanigans of all kinds.
槙原敬之
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
