20岁的京秀是一个完整的假设。他从网络色情，制作但没有关于真正的事情。他只有把和甚至从来没有吻过。他很尴尬当他坦白了自己的感情，制作姬妍，他迷恋。他用右手安慰自己的房间里的日本女孩的耻辱。有一天，他与父亲吵架，记得他的朋友白贤曾邀请他去江原道。她是一个吸血鬼吗？他朋友的妈妈贤好千古！她很漂亮，看了看20多岁的样子，然后有一天，她在沙滩上度过了一个寂寞的夜晚，她儿子的朋友开始打她。她应该接受还是不接受？是爱情还是爱情？暻秀能做爱一天几次。他们在家里，在海滩上，在水里，一次又一次，他很难再做了。可以认为，京秀贤是可爱的；然而，他暗恋姬妍时，庆洙开始变得迷茫。他爱贤好还是扔？
关淑怡
回复 :To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
方皓玟
回复 :这是一部关于死亡的记录片。导演历时一年用摄影机记录下了来到金门大桥——全美最热门的自杀圣地——自杀的各色人等。有的人翻过围栏直接往下跳，有的人犹豫不决，被路人救下；有的人往下跳的一刻，忽然不想死了，奋力自救……这些自杀人群的家属们的反应也各个不一。通过这部影片，你会看到最接近死亡的一刻，看到金光闪闪的大桥下的芸芸众生。
钣机
回复 :在一个晦暗阴郁的夜晚，泰国SA-407航班载着来自不同国家有着不同身份的人们起飞。但是起飞不久，诡异的事件便接连发生，沾血的脚印出现在通道上、盥洗室内血红尖利的爪子出现在乘客身后、欧洲乘客头颅旋转180度、毫无征兆突然出现的恐怖鬼影……这一切都时时刻刻侵扰乘客以及空乘人员的神经。原来该航班的前身是一家出过多次事故的不详飞机，许多人曾在空难中死去，但是恶德的公司却将飞机送回重新粉刷休整后再次服役。鬼影接二连三出现，事态愈演愈烈，407航班的目的地似乎只有一个，那就是随同无数的亡灵前往万劫不复的死国……
