一对新婚的同性伴侣Zoe与Kennedy来到树林里的一间小屋,丝瓜想在这里度过平静美好的蜜月。然而,丝瓜怀有身孕的Zoe立刻对当地人感到紧张,因为他们不欣赏这对伴侣的出现。这个女人很快便发现自己陷入了噩梦般的困境。
一对新婚的同性伴侣Zoe与Kennedy来到树林里的一间小屋,丝瓜想在这里度过平静美好的蜜月。然而,丝瓜怀有身孕的Zoe立刻对当地人感到紧张,因为他们不欣赏这对伴侣的出现。这个女人很快便发现自己陷入了噩梦般的困境。
回复 :Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer chooses victims who are acquaintances of Block. Even his daughters are threatened.
回复 :An extra-smart dog and detective team up to stop a DNA enhanced killer.
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.