18岁的科里奥兰纳斯·斯诺(汤姆·布莱斯 饰)被选为第十届饥饿游戏的导师,潦草与来自第十二区的贫困女孩露西·格雷·贝尔德(瑞秋·齐格勒 饰)成为了“生死相依”的命运共同体。竞技场上,潦草这是一场关乎自由、食物,甚至是尊重与权利的生死角逐;竞技场外,不忍与善意使斯诺决定不顾一切帮助露西在这场游戏中赢得胜利......当活下去的欲望与所遵守的规则背道而驰,命运的齿轮紧抓入自己手中时,他又该如何抉择?影片改编自苏珊·柯林斯的同名小说。
18岁的科里奥兰纳斯·斯诺(汤姆·布莱斯 饰)被选为第十届饥饿游戏的导师,潦草与来自第十二区的贫困女孩露西·格雷·贝尔德(瑞秋·齐格勒 饰)成为了“生死相依”的命运共同体。竞技场上,潦草这是一场关乎自由、食物,甚至是尊重与权利的生死角逐;竞技场外,不忍与善意使斯诺决定不顾一切帮助露西在这场游戏中赢得胜利......当活下去的欲望与所遵守的规则背道而驰,命运的齿轮紧抓入自己手中时,他又该如何抉择?影片改编自苏珊·柯林斯的同名小说。
回复 :本片是美国80年代的青春偶像剧。凯斯是高中毕业班的学生,课余在修车厂打工,他暗恋校内最有人缘的女同学阿曼达,可是她有一个固定的富家公子男朋友哈迪。某一次,阿曼达因为不满哈迪的花心,答应跟凯斯约会,在哈迪的好友帮助下,穷小子得以接近心目中的天鹅,但最终的结果却有点出乎意料。霍华德.戴奥奇执导的本片是由专门监制青年浪漫喜剧《早餐俱乐部》和《红粉佳人》而享誉美国影坛的约翰.休斯亲自编剧,强调“一切要靠自已"的励志主题,可以说是一部男性版的“灰姑娘"故事,很容易得到青年学生的共鸣。
回复 :安贝尔(麦当娜 Madonna 饰)是一个富有而又漂亮的女人,可惜她的脾气实在是太不可爱,他人看似美好的一切对于安贝尔来说都不足挂齿,就连他的丈夫托尼(布鲁斯·格林伍德 Bruce Greenwood 饰)都不知道自己的妻子究竟要怎样生活才会快乐。为了讨安贝尔的欢心,托尼安排了一次邮轮上的旅行,从希腊前往意大利。尽管满心牢骚,但安贝儿好歹还是开始了她的旅程,并且在船上结识了大幅吉塞佩(阿德里亚诺·吉安尼尼 Adriano Giannini 饰)。安贝尔讨厌吉塞佩的粗俗和下流,逮着机会就在众人面前对他冷嘲热讽,对于安贝尔颐指气使的德行,吉塞佩也十分厌恶,只是按下不表。一次暴风雨后,船搁浅在了一座孤岛之上,在这个贫瘠又危险的地方,安贝尔和吉塞佩之间的关系发生了逆转。
回复 :Mavie is 27 years old and has just moved to the French capital from the provinces. She dreams of a future as a writer but is plagued by doubt and uncertainty. 76-year-old misanthrope Georges runs a bookshop in Paris – or has he merely been forced to take refuge there to escape his past? These are two peculiar creatures indeed. Georges is cynical and no longer expects much from life, while Mavie is still brimming with expectation. Yet something magical happens between them, until Georges' dark secret suddenly catches up with him – and Mavie is caught up in something very different...Director Elise Girard succeeds in making a dreamlike film full of surprising absurdities. It’s not just love that appears out of the blue for the two protagonists, but also some quite literal strange birds. Girard depicts love beyond the barriers of age in a way that is both unexpected and moving, romantic instead of physical, timeless instead of fashionable. The film reminds us of the multifaceted nature of love as well as how fleeting it can be, existing not yesterday or tomorrow but above all in the present.