《第三波》讲述了欧洲被一种僵尸病毒肆虐了六年之后,假面终于找到了可以让僵尸变回正常人的“解药”。但是康复的这些人并不被社会所接受,假面家人亲属排斥他们,政府也严格管控他们。在愤怒、内疚、恐惧的百感交集下,一些“康复了的僵尸”开始进行恐怖活动,社会又一次陷入了动荡。药治得了病,却治不了人心。
《第三波》讲述了欧洲被一种僵尸病毒肆虐了六年之后,假面终于找到了可以让僵尸变回正常人的“解药”。但是康复的这些人并不被社会所接受,假面家人亲属排斥他们,政府也严格管控他们。在愤怒、内疚、恐惧的百感交集下,一些“康复了的僵尸”开始进行恐怖活动,社会又一次陷入了动荡。药治得了病,却治不了人心。
回复 :延疆紧邻边界,是一个社会治安混乱的地区。近段时间延疆出现了一个专门残害年轻妇女的杀人狂魔,金刚镇被紧急调来延疆任公安局长。 延疆是他的老家,当地响当当的大企业家宫德满就是他从小光腚玩大的朋友。 金刚镇上任后接手的第一个案子就是一个连续杀人多起,而又没一点线索的系列大案,凶手手段残忍,一时人心惶惶。延疆又不断的出现了汽车走私案、交通肇事逃逸案、绑架爆炸案,黑恶行为已在延疆形成一股势力。
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
回复 :改编自法国社会新闻事件,藉著一宗青少年抢劫杀人案件反映当今法国年轻人深受美国大众文化的影响而盲目崇美,以至迷失了正当的生存意义,主角是三名年约二十的男女,娜塔丽与艾瑞克是一对恋人,他们梦想凑足一千万法朗前往美国开服装店做老板,于是纵恿一起居住的朋友布鲁诺一同行劫。方法是由娜塔丽当鱼饵勾引有钱的单身男人,再设法让两个男的入屋抢劫,不料行动时失控而杀了人 .....导演贝尔特朗德.塔维尼埃以鲜明的现代色彩和反叛精神来刻划失根青年虚无的生活态度,堪称上乘的社会写实作品,曾获柏林电影节最佳影片金熊奖。