故事发生在一座地处偏远的小镇之中，佳偶老侦探戴夫（汤米·李·琼斯 Tommy Lee Jones 饰）正在调查一起恶性凶杀案件，佳偶这位凶残的杀手在镇上着实引起了不小的恐慌。随着调查的深入，戴夫发现案情变得愈加扑朔迷离，一个名叫巴尔博尼（约翰·古德曼 John Goodman 饰）的男人浮出了水面，成为了戴夫的主要怀疑对象。小镇上来了一位电影明星，巧的是，他不是别人，正是戴夫的童年玩伴艾洛德（彼得·萨斯加德 Peter Sarsgaard 饰）。一次酒后，艾洛德吐露了一个惊人的秘密，而这个秘密竟然和戴夫几十年前调查的一宗案件有关。渐渐的，戴夫发现自己和家人似乎被卷入了某个阴谋之中，真相究竟是什么？凶手又藏在何处？恪尽职守的戴夫决定追查到底。
回复 :民国战乱前夕，苦力张、猪肉庞、风水胡这三个各有所长的草根人物阴差阳错参与了“代号凌凌GO！”特工行动，并误打误撞完成了任务，对国家文物保护做出了巨大的贡献，也因此成了真正的王牌特工，成为一代传奇人物。
回复 :《战友》是一部反战题材影片。在严寒的挪威荒野的上空，英德双方的战机在一场激烈的空战中被彼此击落坠毁。在这与世隔绝的地方，他们必须竭尽全力在严寒的冬季生存下来。尽管战争使他们成了敌人，但是随着日子一天天过去，这种敌对状态很难维持。在对彼此的需要中，一种非常规的友谊开始萌芽。最后他们竟成了亲密的战友。无论如何，战争都是荒谬的。
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
