韩国Alan Rickman has signed on to play the legendary owner and founder of CBGB in Randall Miller and Jody Savin’s project revolving the seminal New York rock club.Miller will direct the picture from a script he and Savin wrote together. They hope to begin shooting in June, 2012.
回复 :警探汤子维在劫案时与劫匪火拼对峙时失去了并肩作战的战友，被劫匪逃脱后，不顾阻拦誓要侦破案件他联手新上任的搭档杨震找来了百步穿杨的女猎手金姗姗、深藏不露的使刀高手关一刀，四人费心调查一步步接近了案件的真相，却没想到陷入了更为复杂纠葛的境况......
回复 :Two criminals attempt to rob a local pawn shop. When their planned robbery goes awry and a gang of criminals find themselves injured with a resilient young female hostage in tow, they take refuge at a remote farmhouse to try to let the heat die down. But what they discover there is far more menacing. The Price We Pay is the latest slasher-action thriller from a Japanese director, Kitamura Ryuhei. Of the film Kitamura has remarked, “It is a film of two hands. On the one hand it is a gripping action/thriller, but on the other hand it is an intense, terrifying experience immediately grabbing the audience and sending them on a wild ride.” As he indicates, The Price We Pay is a perfect film for the midnight audience who are thirst for bloody horror.
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
