剧情简介
马提亚斯·布雷彻侦探受雇追踪最恶劣的南部联盟战犯。当他徘徊在旧西部寻求正义时，视频他的决心受到了考验，视频因为他遇到了一位意志坚定的先锋女性，她远比表面上要坚强。
2021av视频
马提亚斯·布雷彻侦探受雇追踪最恶劣的南部联盟战犯。当他徘徊在旧西部寻求正义时，视频他的决心受到了考验，视频因为他遇到了一位意志坚定的先锋女性，她远比表面上要坚强。
赫拉瑞达芙
回复 :主人公穆夏是一名小说家，正在创作一部小说，近来常常被噩梦纠缠。丈夫莫洋为她安排心理医生做治疗，可没想到在催眠治疗过程中一个声称他才是穆夏真丈夫的男人出现，穆夏平静的世界开始变的一团混乱。
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
回复 :"圣诞节虽然就要泡汤，他们仍携手同心。11 月 28 日观赏《佳节闹翻天》，Netflix 独家。罗玛尼·麦柯饰演大受欢迎的广播 DJ。他收到他四个被宠坏的孩子的圣诞礼物清单，但时机不巧，罗玛尼也偏偏刚丢了工作，于是他们只能搬到比较小的房子。也因为这样，他们终于了解物质不代表一切，虽然拥有的东西少了，收穫却可能远超过他们的想像。"
