故事讲述了一个意外杀人而被迫逃亡的男人,巴西在下山借书时遇到的大学教授却是被自己杀死之人的父亲。教授去世,巴西被自己杀害的人的女儿又一次出现在他面前,漫长的接触不断进行着内心的炙烤。
故事讲述了一个意外杀人而被迫逃亡的男人,巴西在下山借书时遇到的大学教授却是被自己杀死之人的父亲。教授去世,巴西被自己杀害的人的女儿又一次出现在他面前,漫长的接触不断进行着内心的炙烤。
回复 :这地方,是马来西亚的一个小镇,永平。这女孩,李巧娇,小名阿娇(庄米雪饰)。阿娇售卖电视机,但她更渴望进入电视机的画面里。阿娇生活在新加坡制作的华语电视连续剧中。她对每一部第八波道的连续剧里的对白都耳熟能详,倒背如流。甚至她那麻雀虽小,五脏俱全的小房间里,四堵墙和天花板上都贴满了从娱乐杂志上所剪出来的明星照片。阿娇分辨不出布拉德皮特和莱昂纳多迪卡普里奥是不同的人,但她特别钟情于李铭顺、陈汉伟和颜天发。只因他们都是马来西亚人,是老乡!今年,阿娇作出了个重要的抉择——她要加入明星的行列,成为闪闪发光的星星! 就让我们进入阿娇的明星梦,随她越过长堤登陆新加坡。这一趟旅程就算无法让她一圆明星梦,至少也能让她更接近她所心仪的偶像们。于是,阿娇开始了她的艰辛旅程,首先她想方设法成为一个模特儿,甚至在新传媒的剧集里当起“加哩菲”。 她的寻梦之旅却被一个俊俏的咖啡店助手阿盛所打乱。纵使阿娇没说什么,阿盛(黄鸿升饰)却已看透她所发的明星梦,深深了解她的内心世界。广受大家喜爱的邻家男孩阿盛,是个顽皮厚颜,却不失诚恳的青年,虽然他只是邻里咖啡店的小助手,却坚持要大家以英文名Christopher称呼他。当阿娇第一次出现在咖啡店时,阿盛原本平静的心,泛起了阵阵的涟漪。一向厚颜的他,因为堕入了爱河而突然变得羞涩。他对阿娇所说的第一句话是:“咖啡乌,不要加糖。” 这就是他独特方式,总是知道阿娇要什么,不需要阿娇说任何话,他已能理解她的愿望和梦想。他们俩,共谱了一段浪漫的恋爱曲,携手朝向彼此的梦想迈进。。。爱情的甜蜜,敌不过生活残酷的苦与辣。他们的爱情是否能有个圆满的结局?
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
回复 :未来的2163年。人类的40名成员驾驶超光速宇宙飞船飞出太阳系,他们的目的地是阿尔法星人马座。在那里找寻是否有和人类一样的生命存在。完成任务后,将经过15年的飞行返回地球。 但是旅程中却碰到了意想不到的情况……《Ikarie XB 1》拍摄于1963年。当时库布里克没有拍出《2001:太空漫游》,人类还没有登上月球。富有想象力的东欧电影人就对宇宙中是否存在除人类以外的生命的问题作出了大胆假想,并在实践中寻找了。本片是捷克斯洛伐克的第一部科幻电影,影片改编自波兰著名的科幻作家 斯坦尼斯拉夫·莱姆的小说《麦哲伦星云》(“Magellan Cloud” )。