弗朗克,艾玛五十二岁,艾玛在市郊的一个商业中心中担任夜间巡逻保安。十年前,他曾是专业技术工人和工会代表,常常忙碌于工作而不得闲,总是充满了战斗精神。而现在,他却成为了自己生活中的一个逆来顺受的旁观者,他已经厌倦这般无趣的生活。一天深夜,他发现一辆吉普车在商业中心的停车场转来转去,他感觉到这似乎是在为某件大事而做准备,出于好奇心和对现实生活的灰心丧气,他决定以一己之力与之抗衡,对于他而言,这是一个再一次把命运攥在自己手中的机会……
弗朗克,艾玛五十二岁,艾玛在市郊的一个商业中心中担任夜间巡逻保安。十年前,他曾是专业技术工人和工会代表,常常忙碌于工作而不得闲,总是充满了战斗精神。而现在,他却成为了自己生活中的一个逆来顺受的旁观者,他已经厌倦这般无趣的生活。一天深夜,他发现一辆吉普车在商业中心的停车场转来转去,他感觉到这似乎是在为某件大事而做准备,出于好奇心和对现实生活的灰心丧气,他决定以一己之力与之抗衡,对于他而言,这是一个再一次把命运攥在自己手中的机会……
回复 :米基(伍迪·哈里森 Woody Harrelson 饰)和梅乐丽(朱丽叶特·刘易斯 Juliette Lewis饰)有着同样残缺的家庭,深种在他们内心暴力的种子在渐渐萌芽成长。梅乐丽从小就备受父亲虐待,她决定和只有一面之缘的米基一同出走,出走前把父母都杀死。米基要梅乐丽从今起开始新生活,他们举行婚礼后,便开始了一边逃亡一边杀人的疯狂旅程。在途中,死于二人手下的人无数。道德和法律已经完全被他们的观念清空。他们疯狂地杀人,疯狂地相爱,手上染满各种人的鲜血。这个离奇的事件,被电视当作肥皂剧来娱乐大众。他们成为青少年崇拜的偶像的同时,也成为了阶下囚。然而,监狱对于他们来说,不过是一个新的杀人场所。他们点燃了监狱里犯人们的凶暴欲念,一场登峰造极的混战轰烈上演。
回复 :叶凡和叶平兄弟俩自幼父母双亡,二人相依为命。为了生计,兄弟二人背井离乡,来到杭州府开了一间烧饼铺。一次,叶凡路见不平,用独门绝技无影醉拳打跑了地痞,碰巧遇到了宋徽宗第六子景王赵杞,景王赏识他的功夫,便推荐他去州府听差。这时,身怀六甲的肃王妃曹珍从临安回到娘家杭州府,引起全城轰动。叶平奉命去曹府给肃王妃送烧饼,正碰上一伙蒙面黑衣人血洗曹府。叶平趁乱救下了肃王妃,并把她带回了自家的烧饼铺。肃王妃失踪,景王赵杞勃然大怒,命令手下立即在全城展开搜寻,不惜一切代价,也要找到肃王妃。叶凡救下王妃,发现幕后主使竟是自己的恩公——景王,他为了夺得太子之位,不惜对肃王妃痛下杀手。在恩情与道义之间,叶凡必须做出一个选择。
回复 :A massive earthquake strikes the United States, which destroys the West Coast and unleashes a massive flood that threatens to destroy the East Coast as well.If you're wondering about this film and why it's dubbed in Italian, then read the following comment from IMDbI have always wondered about the disappearance of Deluge. Why for so many years, seemingly since it's release in 1933, this film vanished from the face of the earth. After seeing it, courtesy of the efforts of Mr. Wade Williams Co., I'm still puzzled, but I have a theory. In 1933, the code was enacted that pretty much took care of sex and violence in Hollywood. While not an explicit film by any means, Deluge does deal fairly frankly with sexuality, lust and rape. I wonder if RKO discovered they had a film that they could not re-release, much like the fabled lost Warner Bros. comedy Convention City. It's a shame for, while it is a dated film, I find it quite unique and surprising for it's era and a fairly successful attempt to create something different in an era when films were already becoming cookie cutter by-products of the studio machine (not that many of those cookies aren't tasty, mind you). And even though the only available copy at this writing is dubbed into Italian, I don't find that a hinderance. An excellent job was done in subtitling the film, and much of the film is visual anyway.