男主人公被征募到以色列情报局(摩萨德)进行训练,广府出师之后被派往世界各地执行情报以及间谍活动,广府与他配合的组员们也一同行动着,而在这些人当中一位迷人的以色列女情报员深深吸引住了男主角,两个人在各种危险的行动中互相产生爱慕,但为了至高无上的国家利益只能默默地不表达,随着最后一次任务的临近这一切开始产生了变化。整部影片真实感极强又不失浪漫,是一部不可多得的谍战大片。
男主人公被征募到以色列情报局(摩萨德)进行训练,广府出师之后被派往世界各地执行情报以及间谍活动,广府与他配合的组员们也一同行动着,而在这些人当中一位迷人的以色列女情报员深深吸引住了男主角,两个人在各种危险的行动中互相产生爱慕,但为了至高无上的国家利益只能默默地不表达,随着最后一次任务的临近这一切开始产生了变化。整部影片真实感极强又不失浪漫,是一部不可多得的谍战大片。
回复 :Adela是一名充满同情心的罪犯辩护人,一直坚信人性本善,罪恶的是社会。然而她最近的辩护被告偷了她的车,在车内找到了她乡村别墅的钥匙并计划了一次盗窃。不幸的是丈夫在这次入室盗窃中意外身亡。这让她陷入理想与现实的纠结痛苦中,殊不知噩梦才刚刚开始……
回复 :何丽珠(郑秀文饰)去加勒比海度假,遇上了一名相貌堂堂知书识礼的男子,虽然才相识7天,二人还是闪电结婚。然而好景不长,男子在潜水中不幸丧生,令何丽珠悲伤万分。这段闪电的姻缘却没有让丽珠很快地忘掉丈夫。她沉浸在生活的阴影当中,久久不能自拔。一天她竟偶然发现,自己左眼可以见到鬼。在此之后,丽珠遇见王劲威(刘青云饰)。他自称是丽珠的小学同学,曾经对她非常的倾心。丽珠开始时嫌他麻烦,然而和他相处过程中,却屡屡得到他的帮助劝慰,让她快点医好丈夫逝去的心病。在王劲威要去投胎之前,丽珠想让他找来丈夫,见上一面,然而王劲威没能找回来。然而,丽珠却慢慢发现,自己的心愿其实并没落空,而且生活的希望也在一点点的回到她的心中。
回复 :The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.Part 1 comments on:■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher■"Konkurs" ("Audition," 1963) by Miloš Forman■"Křik" ("The Cry," 1963) by Jaromil Jireš■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří MenzelPart 2 comments on:■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko■"Stud" ("Shame," 1967) by Ladislav Helge■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová■"Pasťák" ("The Decoy," 1968) by Hynek Bočan■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček■"322" ("322," 1969) by Dušan Hanák■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný