演员生田斗真为何愿意大胆挑战日本传统艺术“歌舞伎”?这部纪实纪录片跟着生田斗真踏进新歌舞伎的世界,松永纱奈视频同时细细着墨他和演员尾上松也长达 20 年的友情。Netflix 纪录片《歌、松永纱奈视频舞、伎:生田斗真》 将于6月16日星期四全球首播,Netflix独家。
演员生田斗真为何愿意大胆挑战日本传统艺术“歌舞伎”?这部纪实纪录片跟着生田斗真踏进新歌舞伎的世界,松永纱奈视频同时细细着墨他和演员尾上松也长达 20 年的友情。Netflix 纪录片《歌、松永纱奈视频舞、伎:生田斗真》 将于6月16日星期四全球首播,Netflix独家。
回复 :Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Daï’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.
回复 :菲律宾黑帮分子董岳于香港犯案,被警员细鬼,阿龙及其上司梁森缉捕,并由阿龙及政治部的大岛押回菲受审。不料途中让其手下救回,阿龙和大岛在当地警员范曾的协助下决定留下追捕董。在追捕逃犯的过程中,大岛和范的旧拍档均遭董偷袭,不幸身亡,范和阿龙同失好友,决意与歹徒决一死战……
回复 :清晨,空荡幽暗的卧室。潜行者(亚历山大·凯伊达诺夫斯基 Aleksandr Kajdanovsky饰)悄然无息地起身准备与另外两人会合前往一片恐怖复杂的地带。可妻子(阿丽萨·弗雷因德利赫 Alisa Frejndlikh饰)却极力哀求他不要冒险进入该地。而这位训练有素、 经验丰富的潜行者,即将穿越的是一片有着千变万化陷阱和圈套的地区“The Zone”。这块二十年前因陨星坠落而荒芜的恐怖地区,传说有一个名叫“The Room”的囚室,它能满足人们潜意识里最深层的意愿和欲望。潜行者与为寻求灵感的作家(安纳托里·索洛尼岑 Anatoli Solonitsyn饰)和为探明真相的科学家(尼古莱·格陵柯 Nikolai Grinko饰),踏上了这片变幻莫测的死亡之地。这部极具史诗片气质,探究人类灵魂本质的科幻电影《潜行者》,用诗意而极富隐喻的长镜头,挖掘着人类潜意识与外部世界的重重矛盾与深层意义。1957年,一场发生在苏联车里亚宾斯克附近名叫玛雅卡工厂的核灾难,深深触动了导演安德烈·塔科夫斯基,成为本部电影中的创作素材。影片也改变自小说《The Roadside Picnic》。本片荣获1980年第33届戛纳电影节天主教人道奖。