芳芳和阿牛原本彼此相爱，日韩芳芳因父母重病，日韩急需用钱。芳芳决定到海南岛去打工 在酒店当服务员，酒店经理是个色狼，多次强奸芳芳未成，多次被阿明相救，后来2人就好上了并结了婚。一次阿牛也来到了海南岛找芳芳，得知芳芳和一个香港有 钱少爷结婚之后。。。。。谁知阿明和他的兄弟都是变态狂，经常去找小姐，一个月过后 阿明把妻子玩腻了为找新鲜刺激感，阿明把芳芳迷昏后让他兄弟给强奸了，阿明还在旁边用摄像机把她拍下来，芳芳醒来后，伤心至极，去找阿牛。可是阿牛对阿芳 已经死心，最后芳芳一个人在海边回想之后
张根锡
回复 :Can you film me without anyone knowing...not even me?A paparazzi reporter and a female doctor with exhibitionism can't help their instincts. Jae-hoon was a cameraman but he was fired for something and is now a paparazzi. He is known for his neat work but his usual task is catching people in affairs. One day he gets a call from a woman asking him to keep watch on her twin sister. The sister owns a sexual consulting clinic so he goes as a patient. Then he starts to watch her in secret. As time goes, he shows signs of voyeurism and obsesses with her. The doctor's sister cancels her request but it's too late. Then he finds out that the doctor wasn't a twin sister but in fact the client herself and he blinds himself. Did Jae-hoon's voyeurism go away or was he a sexual pervert? Or did he really love the doctor?
回复 :The "Sixth Bus" is a film about a young woman trying to find out how her father disappeared never to be found, during a war in Croatia that stunned Europe and the world. It m.77mi.cc is about a search for identity; simmering beneath this need for resolution. The "Sixth Bus" is a search for truth in a place where truth is selective, elusive and even feared.
回复 :In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.
