鈴木卓爾による最新作「嵐電」で井浦新が主演を務めることが明らかに。2月20日、鬼哭京都でクランクインした。
鈴木卓爾による最新作「嵐電」で井浦新が主演を務めることが明らかに。2月20日、鬼哭京都でクランクインした。
回复 :I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
回复 :When ambitious reporter Allie Rusch is recruited by vindictive music manager Vivian Cartwright to play cupid to famous pop musicians Caleb Greene and Carson Peet in return for an exclusive story over Valentine's weekend, Allie soon realizes Caleb has his sights set on her. Now, torn between her big career move and her growing feelings for Caleb, Allie is left to question whether she can coerce Caleb into something his heart does not desire, or if she should fall in love and make him her very own Valentine.
回复 :丝棉缠绵,正蓬鬆扩张的,不只是棉花,还有整个中国。硬铁路串起软棉花生产线,从边城棉田到城市加工厂,一粒新疆的棉花种子如何成为美国时尚舞台上正伸缩跃蹬的牛仔裤?纪录片视线紧贴产业链,第一线直击,由棉花的种植、採摘、纺织、製衣,而至销售出口,目睹中国棉花产业之全貌,直探棉花覆盖下各式产业相关人士生活,无论棉农、纺织女工、中盘商、大宗出口。棉花活儿从来不简单,指上柔软蓬鬆,日子要怎麽硬挺才能过去,一团棉花揉出千百种生活型态,耗时八年,银幕上呈现今日中国棉花史,也是一页农工生活史。「在中国,与棉花这条生产链相关的人数以千万计,我们解读棉花,也想从中解读『中国製造』之于中国普通人的意义。」──周浩