前舞者伊娃(Eva)现在坐在轮椅上,久久久久无法行走。当她的朋友索菲(Sophie)在圣诞节前给她一个古老的木制古董降临日历时,久久久久她意识到每个窗口都包含一个惊喜,在现实生活中会引起冲击:其中一些很好,但大多数都是不好的-现在,Eva将不得不在摆脱困境之间做出选择日历或再次走动-即使它导致她周围死亡。 由 WTFilms撰写
前舞者伊娃(Eva)现在坐在轮椅上,久久久久无法行走。当她的朋友索菲(Sophie)在圣诞节前给她一个古老的木制古董降临日历时,久久久久她意识到每个窗口都包含一个惊喜,在现实生活中会引起冲击:其中一些很好,但大多数都是不好的-现在,Eva将不得不在摆脱困境之间做出选择日历或再次走动-即使它导致她周围死亡。 由 WTFilms撰写
回复 :一部关于芬兰湖泊的纪录片, 以及湖泊周边的自然环境,水质状况和古老的芬兰神话。
回复 :「母亲教我说话,为何我得沉默?」祖母病故,住宅电梯故障失修,抬棺材到街上弄得众人狼狈万分,这就是黑人少女哈比的日常缩影。新当选区长的白人医生邻居,「仗义」收留叙利亚难民,却无视聚居多年黑人族群苦况,狠心推动强迫迁拆令,使哈比不得不在本该普世欢腾的圣诞节走上抗争之路。压迫愈趋无理,居民怒火可会一发不可收拾?赖卓利继戛纳得奖作《孤城泪》,再次深探法国社会阶级和种族冲突根源:不患寡而患不均,不患贫而患不安,信焉。
回复 :Teenaged siblings Girly and Sonny lure young men back to their home to meet the eccentric Mumsy and Nanny. There, the men are forced to take part in strange games, the rules of which are never defined - and if they refuse, or transgress the unwritten rules, they're killed. But they may have met their match in New Friend, their latest victim, who starts to manipulate the foursome, setting one against the other.Bizarre combination of late sixties avant garde and sleaze. Director Freddie Francis had made horrors for both Hammer and Amicus but this is nothing like any of them. Shot on location with an atmosphere mixing playground horror and conservatory theatre that is downright weird and unsettling. The great lost girl of sixties British horror, Vanessa Howard, shines as she does in those other rarely seen gems Corruption [1967] and What Became of Jack and Jill [1972]. If Harold Pinter had made The Texas Chain Saw Massacre [1974] for the BBC this could have resulted. Excellent and unique.