佩恩（泰德·巴勃考克 Todd Babcock 饰）是生活在上海租界里的一名美国医生，影院一次偶尔的机会，影院他认识了国民党特务皓明（陶泽如 饰）。皓明年轻时受十月革命的感召也曾有过伟大的红色理想，但白色恐怖的残酷却让他改变初衷，拿起了屠杀共产党的屠刀。皓明的妻子自杀前把女儿秋秋送进了教会学校，秋秋（梅婷 饰）长大后在共产党人靳（张国荣 饰）的影响下加入共产党并且与靳假扮夫妻隐匿在上海为身患重病的靳治病。秋秋出现在佩恩面前时，佩恩对这个美丽的中国女人一见钟情。然而当他得知秋秋和靳的故事之后，在决定不顾一切的帮助他们的同时，还见证了那段浪漫又凄美的红色之恋。
回复 :九个月前，正值而立之年的内海薰（柴崎幸 饰）突然接到远赴美国俄克拉何马州研修的通知，情知自己正成为警界可有可无之人，薰在焦虑烦恼的同时也暗下决心要干出一番业绩。就在此时，机会从天而降。在街上执行任务时她偶然发现一名看护师用轮椅推着早已死亡的老人，进一步调查发现看护师上念研一（中山裕介 饰）竟是长野县通缉的在逃犯。在薰的面前，上念供诉了杀害主家女儿的经过。风光得意的薰在公众和同侪的注视下担当押送嫌犯的重任，谁知上念抵达长野后推翻了之前的供词，令内海陷入窘境。在此之后，他只得与新人当摩健斗（柳乐优弥 饰）联手调查，却意外探知到九年前的一起冤案。内海薰最后的案件，朝向未知的方向推进……
回复 :女孩伊丽斯继承到了外祖母的乡下宅院，可心中却满是芥蒂，因为那个地方背负了她太多的童年阴影。回乡的葬礼同时也打开了伊丽斯早已封存的记忆…
黄沾
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
