2012年凭破格情色电影《红色假期黑色婚礼》让大众刮目相看的朴哲 洙导演2013年又再战釜山,儿女执导了新片《B.E.D》。本片入围了第17届釜山电影节大师单元受到关注,儿女这部讲述二女一男欲望和背弃故事的作品再次选择以“性”为话题,探究人类普遍的性幻想和欲望关系的影片。
2012年凭破格情色电影《红色假期黑色婚礼》让大众刮目相看的朴哲 洙导演2013年又再战釜山,儿女执导了新片《B.E.D》。本片入围了第17届釜山电影节大师单元受到关注,儿女这部讲述二女一男欲望和背弃故事的作品再次选择以“性”为话题,探究人类普遍的性幻想和欲望关系的影片。
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回复 :女主角法兰西丝是新近守寡的摄影师,正陷于是否要移民外国而烦恼。她的母亲艾丝蓓是个性倔强的老太太,宁愿独自穿越寒冬雪地到女儿家也要来干涉女儿的生活。她的十六岁儿子亚历则开始意识到异性的吸引力,跟邻家女孩妮塔初尝禁果滋味。
回复 :Anna is 60 and her acting heyday is now behind her. She lives on her own but has a friend and confidant in her downstairs neighbour Michel, who is also single. Reluctantly, Anna accepts a job as a language coach for 17-year-old Adrian who has a speech impediment and is something of a misfit. She recognises him as the boy who recently snatched her handbag in the street ... “Irresistible” is the term that springs to mind when describing this light-footed and humorous story of an impossible love affair between a thief and a lady. Director Nicolette Krebitz handles the fragile balance between the dictates of society and the heart with great care. The fresh breath of freedom blows through a narrative that makes room for a nod to old West Berlin, some gentle teasing of Germany’s French neighbours, and even a ghost that is chased away to make way for new possibilities. But most of all, A E I O U is a passionate love letter to Sophie Rois and, perhaps through her, all the brilliant actors neglected by an industry all too fond of young blood. Well, it turns out that these young players, embodied here by newcomer Milan Herms, not only look up to their more experienced peers, they truly love them.